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" Don Carlos "by Giuseppe Verdi

"Don Carlos" by Giuseppe Verdi Avec "Jerusalem" and "Les Vepres siciliennes", "Don Carlos" c'est une de les trois deeds 'n origin compuoste on libretti by Giuseppe Verdi' n lengua Franciosa. Mais aco (1) k + is, "Don Carlos" is included, kon "Otello" and "Falstaff" in the category el de l'graceful deeds + ac musically polished de l'art d'el Busseto. In virtue of 'ell'eccellente score, whose pristine edition' n dates back five acts per annum of our Lord 1886, the third and last y 'n quattr'atti (the version I et' n Itala lengua) lu, 1887 Verdi staccasi and frees 'n et unequivocally definitive manner by the Italian provincialism melodramatico by lu sou tend emphatic language, to know (2) connected to the melodic pleased facilitade nn sa rare d'el melensaggine parameter harmonic et la cheap de l' instromentazion, of which he radially (3) while the essuto irrepugnabil atque acclaimed bishop, x pigare (4) its writing and its acconcezza (5) and a fantastic streme (6) et multifaceted complexity spirtali (7) et procedural, or true to the highest in his poetic + lyric el tiatro Europe: a que 'tiempo xmeato them from the dense waves of "Decadence", and from the footprint gigantea d'el musical drama by Richard Wagner Signa. Cum ol (8) de mediocre filler 'librettists Joseph Méry et Camille du Locle et, and the Italian review of this Zanardini, esta deed ke al'utore Diffin wanted, the beloved fijja ZUA, Prenn from the tragedy by Friedrich Schiller nu given subject, 'n inter caves, yet by Vittorio Alfieri, id est "Philip II". Already ere d'el "Don Carlos", in The Forties el of apprenticeship, ava Verdi drew on the dramaturgy of Summo el vate tudesco (9): rammèntansi "Joan of Arc," "The Robbers" and "Luisa Miller" But the results were essuti 'nfelici, d' significance of a small assaje atque servatio expressiveness: musical and theatrical. In el "Don Carlos", au contraire, Green Goddess (10) boce a subtly powerful lyrical vein 'ndagatrice: as noted ada Gianandrea Gavazzeni. This is (11) grannezza resides in judicii musicologist und d'el musico critical Fedele D'Amico (12), 'n fact el ke Musik restores the complexity of meanings atque riconquide + complexes of them under the action of necessity by 'librettists sfrascata (13). Ol musician plasma 'n 1 juoco robbery chiaroscuro dipintura Dramatica na de split between the human conscience throb de' + stored siento und lu kategorischer Mandatory (14) d'el atque political public duty. Xe puntaglia the nerve (15) of between instinct and reason of the cold heart el reasons of state, corn, + in general, between liberalism el et el despotism: between tyranny and tolerance: State of the Church und lu . In a lurid glimpse of the Renaissance Spain, intent on press (16) de opstand (17) et de l'Flemish Dutch hard working people to it feudalised (18), de la xsonaggi s'adergon and romantic youth, 'n an overwhelmingly I desire the yearning et d'amour captured in La Libertad. Ol frail Carlos, Infante of Spain, s'abbruscia utopian ideal of political passions y denied the events, the Dorze Elizabeth vrouw (19) y unsatisfied sad to Philip II, the illusion to believe maternal amour k 'edda' n secritudo (20) et cum redness (21) Try, reciprocated, x ir (22) stepson Carlos, et ir wise diplomat Rodrigo, Marquis of Posa, strives to balance the asiggenze (23) of irreducible moral universes und ideological + Zeren the handsome and frivolous Main flowsetting d'Eboli, ke "sing sings like the frame of a mirror if the seventeenth-century work of a goldsmith could have a voice": Eugenio Montale acussì dixit, el fue as well ke dramatic poet, ça va sans dire, hip music lover sailed music critic apo lu et Tiatro at La Scala in Melano. These figures do contrappòngonsi's fascinating and monumental xsonaggi de l'bitter Old Age, enclosed knows Caiola iron (24) ideology of 'a fierce mprontata und tragic obscurantism: the portrait of Emperor Philip II nor the frustration of the immedicabil 'it affects the disperaggine y de la solitude psychological Essercizi which requires the absolute power of el, y, this Above all, ol et nonagenarian blind Grand Inquisitor, ir as a guide, cu (25) ac na sort of numinous tirribbile charisma The intention of the crumbling of Philip II, which will impose ar damage (26) to death Rodrigo yl'istesso figghju Carlos, guilty of libertarian inclined et democratic: xsonaggio without doubt among them admirably fulfilled by Verdi: among them glittering + d'el tiatro know. Sa mundo de lu pessimistic conception, k'accomuna (27) et transcends 'n 1, the givenness particulari histories intertwined' n el "Don Carlos" Stimmung of a pitiless decay ac yield of the radical homosexual from y the battles from the anguish of the ego exhausted: so + + effectively represented there as Verdi conductors 'n el framework pompous' n el solemn decorum it the grandiose structures et d'el model d'el franzese grand opera . No only do the vocal writing, 'nchina both the lyrical poignancy of a trash (28) melodic, is a mottled declaimed multanime y, también it until the elettezza achieved by the orchestrazion og (29) it worthy of the el parameter sinfoniale, art Verdi propina 'n such a manner , 'n the late nineteenth century, a capital contribution to know the diffinizione de muziek (30) und d'el opera house mirror, such as (31) spietosi progressive de la crisis (32) und k'ingolla the individual, With Him, sa ( 33) Modern beschaving (34). ************************************************** NOTE ************************************ - (1) "it", ant. prov. (2) "the" Sardinian (3) "was" (4) "fold" (5) "attitude" (6) "thin" (7) "spiritual" (8) "the" berg. (9) pro veritate, the bard Summo todesco xe, without doubt, Wolfgang Goethe, Schiller contemporary, amigo a youth of Sturm und Drang. Goethe xe also the supreme poet of the European 'modern times (10) "gives" (11) "his", CAS. (12) Roman de la Historia inzzegnò MUSEC apo Quirites the University from the year 1963 in the year 1988 et scrivette books atque et articles in various newspapers magazines, living co restless nature et goodness of mind by the year 1912 in the year 1990. Heron's authoritative reviews> Li et feared. Massimo Mila j'era sincere friend. Mila D'Amico and Mario Bortolotto from Pordenone, guru de la Musik contemporary music critics them mejjo de lu boot the Sixties (13) "simplified" (14) we have doubts about 'sti "categorical imperatives" them who pretend to be what the man will ke nn may lay the man will give a superhuman effort without painful et et unnatural, et intimately Guaso s'incazza und says to himself: "His mortacci them!" while performing it in, 'I'm I force Sisyphean. Fue this Above all lu todesco philosopher Immanuel Kant in debating with such "imperative" to them in his deeds of moral figure, or are the "Foundation of the metaphysics of 'morals" und "Critique of Reason prattica, et sentenced precisely because follows: "(the categorical imperative) is a rule is qualified by a duty ke, k expresses the objective need to undertake action et de ke ke mean, if reason will determine fully, the action would take place according to this rule unfailingly" (15) "struggle" (16) "repress" (17) "revolt", nl. (18) k and this time they did x Nederland them against the Spaniards' n el Seculo XVI made the Italo Zenti, only three secula afterwards, against the Austrian Hapsburgs, but well ac ke el civilized selves had ruled Lombardo-Veneto. And they were infected Netherlands el Primiero State of Europe to officially recognize the Italian State (19) "wife", nl. (20) "secrecy" (21) "shame" (22) "the", Piem. (23) "needs" (24) "cage" (25) "with" course (26) "Order" (27) cacophony discarissima: sorry daddivero (28) "purity" (29) "e", Norvir. (30) "music", nl. (31) "mirrors" (32) "crisis" nap. (33) "the", Sardinian (34) "civilization", nl.

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" Les Dialogues des Carmelites "by Poulenc

"Les Dialogues des Carmelites" by Poulenc It you x (1) an old-fashioned to chill deeds chierono ke (2) ell'assenso: nn el already beat mane. Opra shadowy, flickering, k from s (3) lossura (4) of the flaming Noons escapes, like corn on (5) glow occiduo k'un mélancolie en automne exhale. Alma ke subdued nor should know of siege strigner et adunghiar life, one thousand corn avec aggarbatezze come forward to the question, if craintive de tromper (6): in exagérer; ready to kick back in your lu solipsism him refuge tacit 'n the forces of the ego: the' ve only the data sunnu (7) et warmth of course, and none of the heavy cchiù MENAZZA mundo: cchiù from which none iniquity, contumely aut. Xe ke n'opra to Secure (8) holds in the fertile tonitruanze melodramatiche vile, aims to épater ke les bourgeois, or in satisfaction to 'er gajiardi vulgar appetites of music lovers: Bramante, you sapi, sinking them fingers it the Juno concupiscibil pulp and singing; But recollect, avec la delicatura (9) of parks attractiveness et blandishments of myths, a national Quaker (10) subtle musical curiosity atque culture: if you ever sea (11). CCA is called "Les Dialogues des Carmelites" deed en trois acts, and dodeca paintings, over a text by Georges Bernanos, finished compuorre by Francis Poulenc (12) As the year 1956 p. No Ch Singles ir (13) made k'edera Poulenc, et x temperament cultural, musicien to the reluctance of frail er inclined core point: to them the sudden redness of the womanish castimonia: remote paths + ke never be a subject of religious figure und ascetic ke onninamente s'incardina, as chiddu of Bernanos, upon check-ups lu et ell'introspezion over which eni (14) mash (15) 1 riguardosissimo psychological universe. Pro Vereto, radially Poulenc (16) nu gay charmer of immanence, a musician of esquisitezze mundane; artist slight, hilarious ac chic Parisian Aeros et ironic, el which, à peu près six ans auparavant "Les Dialogues," ventured s 'ivy' n teatral a matter of substance any different, "Les Mamelles de Tiresias", avec end of the comic poet Guillaume Apollinaire derivative: poet charmer, x 'ntenditori, birth, fortune x' n Rome mapper Frenchman 'nzino' n er marrow: in the antipodes of Bernanos. Libretto by Georges Bernanos esti assessed by virtue of a higher than the corresponding musique Poulenc. Ké one follows avec The motto prefixed ir order to define the outline pays et d'el carmelo und absorbed existence, knows empathy k'un 'n nn only a single breath dolzure (17) de la vocation et de divine aspettazion the women religious, yet corn el their swell (18) x er transition, the humani ke + their horror in front of 'insults et de' feri ke the disfrenatezze accidents de la Révolution Française de pressed to the door on an enclosure. The pen sophisticaded Bernanos Highlight na tiny coterie of figures 'n glimmer of pathos which harmoniously ascend from the anxiety in the ocean of ecstasy, from the little girl gladness trascoloran nun lu spasm of the' ngoscia from the cuietanza (19 ) not pursuing the lu mundo de la tetragona accettazion er of torture. Et, comme d'boci a counterpoint, and 'slow wave dialogues k'intreccian faghn the Carmelites (20) de l'istesse Sisters (21) wilt drapery opera ensembles, wants cameos of individual atque xsonaggi clearly identified: the verbigrazia prioress, Sister Bianca, I know brother, matre Maria, sisters Constance. Au contraire, nos, forgetting the lezzioni lenguistiche Massenet, Fauré et Debussy, et at times perhaps even Puccini, la musique Poulenc's transparent robe which presents itself sound far from k 'ncigne (22) nn But tempers himself or herself or transformed 'n life sound really knows dramaturgy of the story. Although convenient, eni na MUSEC vague, "eccentric", echoing; How about the Guaso diaphanous backdrop to spend on emotional de '"Dialogues" stranger to the peculiarities of the accidents ac de' siento Quill realtade art. But note on compositeur français d'el artifact itself (23) fine assaje, suggestive of a refinement: na tonal writing k 'al'ascolto persuasive resonates:' n the finiteness of the slight et instromentazion elusiveness, he suspended the wide melodiousness 'n arcanicità y aura between fragrance, nor the voice of a task ke Prenn declaimed airy. Une musique ke, 'n el de la top twentieth-century music mayhem, with each and every abhors cerebral avant-garde, from the Huns kakofoniko muddle: how the pallente madame, from 'Mpreveduto spot Moreover, it basically long y (24) vesta janca' ncede x away from the sordid filth of ac attuorno unaware. C'est musique ke assumed has specific responsabilités: s'aliena from 'protagonists el drama, aut, x acussì dicere, et peaks will plane them the abyss: and their diagrams of spirits (25). Nn x + propitious moments when they de l'invention poulenchiana riscòntransi 'n the few scenes of concrete factual et social' mpregnate in firmness 'mprontate such dynamism und al'immediatezza de ir' phenomenal data: Exemplar grace, emotion and speech; (26) from White et ir a la her brother against deliberazion religious' n el Primiero act og (27) in el SECUNDO; up overshadowing ac coral (28) de lu martyrdom of the Carmelites Poulenc al'opra de conchiuder. ************************************************** *********************************** NOTE - (1) "is", Fri. (2) "seek", arc. (3) "the" Sardinian (4) "lust" flowers. sec. XIII (5) "the", Sardinia (6) "afraid to make mistakes," fr. (7) "are" cal. (8) "for sure", Provence. sec. XIII (9) "delicacy" (10) "some", Roma. (11) "and" sec. XIII (12), musicien Cozi scrivette of himself: "I sum dans le coeur de Paris birth, apo la Madeleine. Mon père d'Espalion native ivy, I l'Aveyron, Paris et ma mere ivy pure blood from CCA mea double inheritance. patre part de lu meo, er mountain of religious faith, the taste x Roman art, by the passion x matre mea de Paris, there's coffee-concert, les quartiers Popular, bals, musettes, lu show de 'markets, et cetera Na .... vote, a critical dicette ke sunt in me et Monaco a time an Arab nomadic c'est exactly this character lu meo. " Lue from the beloved composer Mozart ivy, corn actually the inspiration his Heron et Debussy Ravel, Chabrier et Satie: send Stravinsky u know spiritual patre, et l 'instinct' ZUA the guide. And among the poets Apollinaire and Paul Eluard adored (13) "the" Piem. (14) "is" (15) "moved", part. pas. el of the verb to move (16) "was", ant. patav. (17) "sweet" arc. (18) "anxiety" (19) "calm", nap. (20) "make", par. (21) "Sisters" (22) "around" (23) "is", dial. (24) "fundamental" Pekka to judicii Wolfgang Goethe, the "white" color of the east central (25) "spiritual" (26) "agitated", latin. (27) "e", Norvir. (28) "representation"

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Viva (indeed come back) the slating

"VIVA (EVEN BACK) THE slating the music critics' n Italy essuta east, x Agni (1) & lambs from the suspect (2) de la subjugated to 'weapon critical questionable without pietansa (3), und excessively heinous murderers, yea ke s'edè to drop by drop' n pecorellesco Essercizi praise bastardized. Laudi Aprutii wilt (4) and redundant Dicer lu good (aut el nn-bad), he wants his teeth, k'edè the very watered down version (5) et de la Shitter vegia harsh criticism from 'roaring critics of yesteryear prattica . De muziek (6) 'n Esperia (7) Have decades gosu x (8), atque still enjoys, a critique of' n trumpeted them in varying degrees tamed it 'respects de' stars & divazzi, et to a bureaucratic silencio (9) I 'to de' mediocre. Nn tango les vedettes, not even by the slightest Lorka cummenienza (10) deràglino, y s'ignòrano tutt'affatto them change their music presumptuous kha nn s'incaponìscano trades (11) mean. Lu critical judicii x doventato compartment, being already pre-fabricated 'n relation to the orranza (12), in the can, a market of lu el music composer Musurgia aut (13) is ke sea. (14) pejus (15) will picturesque campora (16) de la opera muziek, 'them there tiatri + Opera celebrated the advertising Are caring de ler (17) performances nn - de l'istesse performances. The office of the critics seized labeling (18) from the office printer, ke wont many times previously shredder reviews and mail to Bedda (et's east tones easily imagine them) what k'èllino promòvon. Directors to set designers ac cry of a swarm of critics usufruìscon & criticuzzi ready to wiggle the pen, aut the mouth, in what is their any whim: for every kind of (19) pazzarìa to foul 'NTES the pristine nature, pristine semblance de lu the sacrificial deed. Singers from the star system on which to squeeze the throat or even the Verecondo cchiù pen (or boce) d'el resigned s'aventura chronicler: fora et kui nu + late ke sovvenente silent retirement. Diseva (20) lu Lombard Carlo Dossi (21) ke esti de la Critique of having to switch off them candles et ingagliardire them bonfire. Au contraire, the music critic of (22) and being given thought to bring supporting documents to a court of 'miracle thus paving redotta. All is bbona; all goes well, Madame la Marquise. Life and the productions of the Itala sunt MUSEC the megliori possible. The time esti de 'Leibniz (23), already criticized nn et ruinose arrogance! Wij omgekeerd (24), robust und lively s'àuspica the rentrée de la slating the accident if he asks! Et co sérénité y honestidad the indispensability (25) d'estimation. The harsh criticism of the metamorphosis nn x 'Messer critical addimesticato' n a bondage (26) critical cannibals, but x iscoter Monno er appennicato MUSEC atque de la rout 's xvasivo undergrowth: x denounce 'ncompetenze d'onne stack: x commending them decent et will distinguish between them in marshes el mezzocalzettume: evaluate x el sur meter of merit, et de nos Quillo on the cliques they belong, the novice composers : und the substitute. Music Critique de ave much of the original function and xduto, k'eni pejus (27), gravitas of the original (28). It is only to selfsame ela, a la 'ntrepidezza on' Survivor, iterum (29) overcomes the positions of a tiempo remote paths, which wine (30) 'nfàuste conveniences & partnerships succeeded. On obblegh (31) x deference dictated by the arduous ministry (32) et x chilla k'anco audience had to trust (33) 'n soul lu ne l'attendibilità iudicio critical. If sape, judging (34) is pol will fail. But a lot (35) MEJ (36) miss bs funzione of k'èsser disànima esànimi lu bs finzione criticize. ************************************************** ************************************* NOTE - (1) "anni" ant. lomb. (2) "paura", Dante (3) "impietosa" (4) "aperte" (5) "assai", see. (6) "Italy" (7) "music", nl. (8) "goduto" (9) "silenzio" Spago. (10) "decenza" (11) "s'intestardiscono" (12) "fame" (13) "interpreter" (14) "and" sec. XIII (15) "worse", Sardinian (16) "fields", arc. (17) "their" ant. Lomb. (18) "is", sal. (19) "each" ant. visiti. lu from the Latin "Omne" (20), "he said," dial. (21) pen name of Carlo Alberto Pisani Dossi (1849-1910), homo et genial pen disheveled, in whose writing the engineer Lombard Carlo Emilio Gadda, yet genial +, it would be watered, et miss little laxity in dowry drops Quintessenz Lumbard to the devout Alberto Arbasino. A great piece on confirmation ke in Lombardy, nn - k in Tuscany, Havva de l'orrevoli inks (22) "is", Tosca. Merida. (23) Gottfried Wilhelm Leibnitz, lived between 1646 et the 1716, here given the optimism of what philosopher par excellence. Optimism inevitable consequence of the balance if the bon ke Deo à lu munno created in such a manner contrary to another ke, ke, which means the east chistu meglior + de 'Munni possible. Taliduno hypercritical, in veretade, à bold ke note that our world from the eternal factor occhèi east, ça va sans dire, but increasingly to make the best of possible worlds is lacking, perhaps, in un'anticchia + health, Justiz et welfare of the x Ommin (ancorké "ad astra per aspera", of course). The Ommin have field 'na single vote (except the eternal life, appriesso) et nos always "i" if they ke fatigue sèmmenano hymn sciuri co 'the dot accuonci' ncoppa. Not if sape sin if Ommin et "i" stay up 'or mmeglio munno ke Chillin à penzo have: the right of high specular on Mantua el maestro tudesco (24) "we reverse," nl. (25) "righteousness", spag. (26) "wild", Roma. (27) "worse", Sardinian (28) "dignity" (29) "again", arc. (30) "is" ant. patav. (31) "an obligation", mil. (32) "task" (33) "had" Lomb. (34) "judge", spag. (35) "very", spag. (36) "better" front. Piem.

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Wilhelm Kempff

Wilhelm Kempff (1895-1991) Anemia AE hunted Pusitano, int 'villa in soybean with bell'etade ninety-six the years. Isso ivy lu from Parkinson's disease (1) affection. As the little Cite (2) de l 'Amalfi coast, where she lived from the year 1950, ol (3) pianist Wilhelm Kempff Alemannic ava impurzo (4) given to the Foundation Orpheus' ancestress und' n manera egregious taught courses 'High specializzazion piano: to them it Gioveni graduates' conservative party du d'Agne Munne (5) Reserved. Gentile (6) Musurgia (7) of the music of Mozart, Beethoven, Schubert, Schumann und Brahms, ol master dera a glittering among pianists of the twentieth century el considered: one in the chilli k'appartenevan cuzì fingers "Scola classic" the authoritative exponent of k + fop (8) without doubt Wilhelm Backhaus. Birth tera in (9) from Brandenburg na famijja of music, a child-prodigy dureci a rookie (10) years in Potsdam, expert de l'art et de lover 'vague scenarios of Italy,' ve toured the pristine 'n el remote paths 1921 accomplished, prolific, even if a dozen, composer; omminu (11) rigorously from parir lu (12) ascetic from the profil hooked by 'professorial ways (to' tudeschi happens frequently): influential musician in Berlin, was able to maintain ke dicere Aresti (13) nu grand'uffizial of Prussia. Na und methodical attentive existential parable, forth pavonerìe, onninamente dedicated to ISTUD, to the inexhaustible prattica de l'instromento, a 'concert' n around x ol munno - exhausts (14) in the past performances historia her with the Berlin Philharmonic, led by ol Summo Wilhelm Furtwaengler - to et them with care to family: from bon todesco er of the North. Even with Sendo, it 'megliori years, a wealth of rare technical virtuosity, Kempff nn emphatic loved the tumescent nn sounded by surge of passionate inquetezze wrapped, aut of them between flights of fancy of the imagination soaring. Au contraire, et spetialmente (15) nor the deeds atque Beethoven Schubert, the beloved, it will s'immergea poetic contents of 'x texts them "suck" from the inside, without smover round of the toxic Aque de l' eccitazion popular, sanz'alterar lu the context of a relationship of subordination ke istretto the conscience of the interpreter keeps to himself et le compositeur. In surface, then, naturally un'imperturbabil, na kind of understatement, of elegant souplesse poured out de vibration; ac however, under the serene authority of the urban perfectione y de fulfilled in the form, voila el el refined talent of pianist s'appalesar in the reception hall, or rather its re-creation of the subtle nuances of the soul 'n song:' n the Transformation of the inert sign lenguistico 'n Parpia noble life of opera. Alquantuni (16) de 'critical Adanna (17) nondianco Cresto (18) d'avisar (19) propio' n assignatezza Quilla (20) und Teutonic Académie d'el extend 'or limit Kempff. X Iusta dicere et judice, nn so draconian they s'avria categorical cum ol und Brandenburg; maize nn cert'esti k'ei Have there ever ventured the intellectual adventures, à jamais achieved the top 'ntuitivi et expressive de' summa lu contemporary pianists, as they at Mantua und Backhaus Gieseking, Edwin Fischer und Arthur Schnabel, ke kon l 'daring them, even kon et d'inquando removes stains caused them, onno (21) et promoted to varying degrees marked the interpretazion historia de piano' n el Seculo twentieth. To be on 'hand, the pedagogical intent risiedèa sou' n el circulate it to 'Gioveni the Beethoven piano style, d'el qualities of being the last of the Aredia (22) x held as legitimate firm. The aristocratic maggnera (23) of tudesco el piano, el of the Goethe olimpicitade know Extending essute they were partially obscured 'postrema recitals. Remembrance ke na de lu month ago discemmre (24) from the year of Our Lord 1978 na big crowd eva (25) in the Auditorium of Saint Cecilia Roman rushed to pay him homage to master lu, lu which to sue beautiful yet boring report them balsamic sayings of Madame de Stael: Sometimes the soul, as the flower emanates dolz olor + (26) 'n up the evening. Allegations nn kr (27). 'O pianefforte Kempff dera of "closed" a long piece. In chilla pulled up to the audience fue provident, + ke listening, claw el remember to keep the myth intact. Ké listening rivelavasi, 'n brief, melancholy sound of past glories, as' the great weight of increasing the existing' nflessi. Restàvansi glimpses, suffered shock of a sophisticated virtue 'NTERPRETATION; restàvansi the footprints, casts them from the pristine Sophie; ac restàvasi lu delicate gesture of heroism gaunt: a can of Dinegro shewn (28). Ol result Kempff listened, et ol public Vulso (29) he would have to be rescued by the loopholes imaginazion und de la Misericordia de la reverie, henceforth, so far as to integrate worn vanito et d'el maestro: 'n them the slip de Jorna (30 ) 'ngrato .... The audience applauded Quirites, chill evening et Iusta Cossa (31) Iera (32) k'applaudisse. Chille deeds of Beethoven und Brahms under the bony deta (33) of the artist AVIEN x na de hidden vote "waarheid" (34) their everlasting et d'simulazion accondiscendèan to a compromesso 'nterpretativo ke vagheggiava of fuoravia and rimpiangèa l'istessa "waarheid" (35 ).... But today Wilhelm Kempff ene (36) former major new: und integro (37). ************************************************** ************************************** Note - (1) Lu miedeco inghilese James Parkinson, tra lu lu 1755 et 1824 vivuto, x cousin described chist'affezione chronic reading cellule nervosa, Which leads, right colpitis l'essere, et via a senettute early as Nol + inamabile says simply says GIA x itself. Damn Old Age, ke point wisdom goes, as the unctuous consoling legalization of office, but gradually, incurable rincojonimento, ah! The precipitous age it closed xe nn only the joys of living el - ki do not care, 'n since de' accounts of the life of Russian caviar et de 'throbs with love, of Aristotelian katharsis et insatanassati coitus - But also in the hope to survive yet, and besides alema still a bit'.... The Romantic writer Jean Paul noted it tudesco lu "Titan" ke "Old Age esti sad nn xke xke Cessnock Cessnock joys but hopes": à peu près the selfsame concept in Montaigne: "The Old Age wrinkles it marks us + lu ke spirit lu face up "(2)" city " emi. (3) "the 'berg. (4) "impulse", Roma. v. GG Belli (5) "world", mol. (6) "brave", latin. (7) "musical performer" (8) "was" Romag. (9) acussì the Quirites Zenti pronounces the word "earth" (v. hip "guera", "bureaucratic", et cetera): if lu comme Dorze live in the shadow of sluggish et er Dome ammosciasse way + sloth verbal (10) "twelve", luc. (11) "man", Laz. (12) "semblance", sic. sec. XIII (13) "would" (14) "are" cal. (15) "special," Francis of Assisi (16) "some" (17) "have", gro. (18) "believed", front. Lomb. (19) "see" (20) "composure", nap. (21) "have", umb. (22) "heirs", sic. (23) "in", rom. (24) December (25) "was", mol. (26) "perfume" (27) "fu", loins. sec. XIII (28) "sad", sec. XV (29) "wanted" (30) "days", sic. (31) "thing", Venice. et Lomb. (32) "was" arc. (33) "fingers", Roma. (34) "the truth", nl. (35) "truth", nl. (36) "is", umb. sec. XIII (37) "Lu recorde east the only paradise from which nn lu potemo be expelled," as quoted supra lu dicette Johann Paul Friedrich Richter, alias Jean Paul

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Rudolf Serkin

Rudolf Serkin (1903-1991) decorated Xsonalità et cultivée . Nu skinny man will, on the face lu Apprenticeship (1) appusato (2), severe und tiennero, na myopia relieved by a pair of forked Bernardoni professorial sur nos: a la manera de Gustav Mahler. Rudolf Serkin ditto the Aresti tudesco a savant, aut, megio, Vienna: Wien vecia de la de 'before el siglo (3) twentieth. The SO (4) department to ottantott'anni of age it (5) marked the first of isparimento of pianists among them megghiu el full of the twentieth century: one of these 'monsters from the keyboard k'aco (6) 'n small population number nn na season decisive sott'el profile of the history of the interpretazion pianist Dinu Lipatti by Wilhelm Backhaus, Walter Gieseking atque by Arthur Rubinstein, Vladimir Horowitz BC by Wilhelm Kempff, et lu from Chile Claudio Arrau in Canadian lu Glenn Gould .... Rise 'n Eger, the district' n land of Bohemia, the fifth of acht (7) figghj, und soon they started to study music from all fathers lu, nu low of Russian origin, Serkin avian 'n Vienna debut at the age it's duodeci years of age it Appenna (8), much admired child prodigy, the Orchestra de avec 'Wiener Philharmoniker. El in 1920 and account (9) Ferruccio Busoni ava, from which he would have pijjà (10) lezzioni (11) ardently longed, But the Italian pianist and composer judice Iddu you veel (12) y expert streetwise yet masters necessitae x (13 ) habere. 'Bohemian musician O' n quiddu tiempo strinsesi of friendship and musical association fes (14) Cu (15) lu great Teutonic violinist Adolf Busch, y tantosto fora (16) Quess (17) legendary duo doventato: Acconci, x asiggenze music (18), formation of a s'ampliar in trio, quartet, und, und quintet. As the year of Our Lord 1935 Rudolf spliced \u200b\u200bIrene Busch, Adolf fille to the manager, und appriesso four years, 'n ruin el mundial de la guera secunda, et it the pressure of the Nazi Diktatur, the couple with their fameie shall be for repair constrained 'n Sguizzera (19): addove' the pianist will get consacrazion internationally, deinde 'n U.S. ground: soon to home soa (20) adoption (21). The drie (22) gods of the youth of el were on Mantua Busch Serkin, Arnold Schoenberg and Arturo Toscanini sues. Durant'i Primieri agni (23) of the dwelling (24) american the friendship and the Admiration of the Italian director lu x Bohemian pianist feciono yes ke the prestigious New York Philharmonic Orchestra is zovasse of syphilis (25), 'n as a soloist, x assaie symphony performances. Unanimously by the critics deprecated (26) and lu Proclamation by the public, Serkin dedicossi equal Fervenza avec la musique de la prattica chamber: a Busch's departure, and 'intro' n el Quartet Budapest, paradimmatico left, and maybe ' nsuperato nor the interpretation of 'Beethoven Quartet. In el dopoguera ru (27) invocòllo cellist Pablo Casals (28) to lu "Festival de Prade," the authoritative mentreké Curtis Institute in Philadelphia, neither the State of Pennsylvania, them (29) committed to the chair, and afterwards the direction of the section of pianefforte. As subsequent years the artist Abba 's merit of founding the School of the Marlboro Music Festival and el, among eminent of America, the performances kui cumm (30) art d'el xsonalità about Pablo Casals, Isaac Stern, Leonard Bernstein, Alexander Schneider, a silence of caves .... El maestro entrusted ada, in addition to a generous ke discography, a collective memory knows n'indelebile (31) art propia piano. Is' I 'n public' in the nzino bedd'etade eighty-five of springs (32). Seventy years of his career, sanz'unquemai the countless aficionados itali oblivion. Gl'anni (33) will allow us to postrema itself only votar in Zeren beloved bucolic lest (34) radially (35) breeding de 'chickens and chickens, cows from the dairy, de' nimble cuniculi (36), for use in the wet to the aut roast it the vegia omnes farm kept ... Letting apart testes (37) from band Fowl & C. hath been agreed by 'competent ke noted the substance of Serkin piano fondavasi sur la finesse de evoked and the poetry of' modes of expression in the END 'mpiegati. Ru avia master the strong conscience de l'adaptation de inescapably subjective reasons of the performer to the intimate nature et qualité de l'interpretandi deeds. Lu nn performer already conziderato it the act of a blind and passive submission to the deed, but 'n a strictly relation avec she, defined by the exalted et xspicacità analytical sensitivity of the historicist, from lu x taste the juste milieu 'n lu between written signs sur staff, while k'edè eloquent und lu riot of trepidation in the doventar, chill sign, poetic sound vibrations of the hand of its el piano. Sotta (38) profile that no pianist Serkin xe "Olympic", supremely Iusta und tempered fabric: the urtimo de 'classic twentieth century, k'ago (39)' n Walter Gieseking el auto suprem bishop. Aut, if you prefer, the Mint (40) contrast (41) to a temperamental piano et fuocoso, say, the Horowitz, aut a 'nterprete provocative and revolutionary as Glenn Gould. Well, marvel nn ke ru territory historian et poetic delight by syphilis Fussi the golden age it MUSEC de la occidental art, und Austro-German 'n inspected, between' the eighteenth century advanced the first atque Romantik: from Mozart to Mendelssohn, Schubert und Beeethoven via: el lenguaggio xvegnuto to fulfill a harmony, imperfettibil system, just ere de 'twilight sad, aut digg incurring the beginning of cracks el decay. OMPETENT, und max 's Salzburg, it ke sunt essuti by Serkin went to lessons of n'essemplar pays et poured lus: Goethe lezzione Licet you, yet' n virtue of the nitidez (42) d'el touch of the brilliance of technique, master lu unquemai by the aim to vile mire Effector aut adoprata narcissism. Sarea from syphilis tissue compartment s'attender all the clowning of amazing tricks: eva by syphilis (43) chaos (44) natural s'attender the mouth of an old-gentilhommerie (45) aesthetics k'anco save het geheim (46) conception de muziek ( 47) What noble et esquís iuocu (48) 'n between scientia et utopia: comm'alta concord' between real n og (49) ideal. ************************************************** *************************************** NOTE - (1) "together," bol . (2) "judicious" nap. (3) "Century", spag. (4) "his" course (5) lu mourning accident site abbe 'n on the farm of Guilford, will the American state of' er Vermont, eight of them say el "month of love" as it is wont to be known as el May (6) "have", Roma. (7) "eight", nl. (8) "soon", mil. (9) "known" (10) "take", Roma. (11) "lessons", Roma. (12) "too much", nl. (13) "necessity", cent. XIII (14) "made" (15) "with" course (16) "would be" (17) "This", ant. et pop. visiti. (18) "needs" (19) "Switzerland", T. Folengo (20) "his", par. (21) "ubi ibi good home" (22) "three", nl. (23) "year", ant. Lomb. (24) "lounge" (25) "Jupiter" (26) "appreciated" (27) "The", CAS. (28) "invited", sec. XV (29) "Member", "him", ant. visiti. (30) "invited" nap. (31) "the", Sardinian (32) with + vague poetry, the ancients Greeks denominavan spring "opening" (33) "years", A. Firebaugh (34) "what", arc. (35) "was", patav. ant. (36) "rabbit", from lu lat. "Cuniculus" (37) "hour", Dante (38) "under", mol. (39) "have" dial. (40) "exact" (41) is called "contrast" that ke is opposed to a "thesis": According to the contrast between specular Hegelian thesis antithesis und 'ngenera manera incontrovertibly in the glad und harmonious "synthesis" ... Oh, so maybe it Fusse! The munno Sarea 'nviolabile et na vote placed all x, et of God, or of el Caso, there would be nn cchiù occurrence x k'esistono und justify things happen all at ... In truth, nui ke likely to retain a semo from the meeting of the "thesis" and de l '"antithesis" afloat nn already the "summary" peacemaking, But the "contradiction" (or "antinomies"): Ah! chilla "contradiction" Fetus Caperea ke nn na fuck face: to be born as soon quanno scendemo underground (42) "sharpness", spag. (43) "was", mol. (44) "thing" ant. Fri (45) "gentility", fr. (46) "the secret", nl. (47) "music", nl. (48) "game", sic. (49) "e", Norvir.

Star Wars The Clown Wars Hentia

Prokofiev

SERGEJ Prokof 'EV (1891-1953) Prokofiev, MUSEC' n between them protagonists of the music life of the twentieth Seculo er widely among them. OMPETENT (1) ke estraordinarie the ideal voltage of a Gustav Mahler und intellectually nn ave (2), the pure artistic genius aut d '1 Stravinsky, aut the dense charge of an extremist Schoenberg, Webern of an aut, aut The poignant lyrical effusion of an Alban Berg: patri in the twentieth century 'n sound. But even forge ke (3) knew the 'right lenguaggio about the vibrant feel of an incontrovertibly Originality: et for a whimsical chimerizzar. The abondantissimo nutamento (4) Thovar (5) has, it pages + happy, the virtue of manly strength of a plant atque of a liquid (6) sincerezza of inspiration, corn away + na suddenness et Thersites notes ke Render Current (7) et ZUA poetic fantasies they live: by aliens and 'rodimenti of the Central European avant-garde radical, any of which is cerebralistico arravuoglio (8). Acussì lan (9) symphonies, concerts, x instromenti them solo, and 'Ballet, LAN x piano sonatas, the chamber, the deeds of theater, music x films de lan' legendary Russian directors. D'el Sontsovska Ukrainian native village, to the Prokofiev esti Musik 'ntrodotto by Mother Mary Grigorievna Zitkova: bona pianist. U pear (10) este agronomist: ominu (11) dolz, calm, methodical. Child prodigy at the age it's SEZ (12) Agni (13), Sergei ae already waltzes, marches und und Rondo compuosto, y tres (14) poses agni (15) Hail to the already pristine deed theatrical sketches. Others Remain ke nn he starts to study methods musicians ac Menara him to the Conservatoire de musique de Petersburg, directed by Nicolai Rimsky-Korsakov from the year 1871: you asto (16) ditto turf! (17). E 'à tantiduni (18) orrevoli y gallant teachers: by Nikolai Rimsky listesso x Cerepnin the conducting, at the very severe Essipova Anna (19) x lu pianefforte: Prokofiev in concert debbitore (20) de l'acquisition d' a transcendental technique Fira (21). In St. Petersburg, the 'Ukrainian Giovene pages hears contemporary of Debussy, Strauss, Ravel, Scriabin Reger und; elo xe lu Primiero sonar Schoenberg. Elo goddess (22) recitals, compuone now gasa et hours scandalized audiences with 'the talent et antiacademico rebel. Xcorre on veciu cuntinenti (23) et d'age it goes down to 24 lambs anc'a Rome, 'you are' on 'Second Concerto for piano and orchestra "' NTERPRETATION under the guidance of conductor el Quirites Bernardino Molinari (24): a the Augustan. Paris, London, rendez-vous avec Diaghilev et Debussy. In Moskou (25) kon Vladimir Vladimirovich Mayakovsky (26). D'el he saw the young man (27) trasformasi step by step 'n corybant a succession of compositional activity ac concert:' n of a continuous wandering between Europe and America, which accepts Iddu as "the Chopin Caucasian x manera lue of the sonar acrobatic and burning. He falls in love de la Révolution d'el-October 1917: maar (28) from the subsequent years, the duranza x et d'Agni Quine (29), to dwell in foreign countries get. Thirty, gets married 'n California singer-Iberian Russian Lina Ljubera, je ke dua Scodeller criatura. Intratanto them cun relations (30) another great magician Russian k'in el munno rage, id est Igor Stravinsky, is rinfrìgidano y s'infestano: Duje tàcciansi them one lair of a creative sovravenuta inauthenticity. In truth, you'll want to qlcno (31) will discern the irrepugnabile record de l'euro-American OMPETENT of the "Upcoming" lu ke Spigno primary reason to Prokofiev facere final return, 'I n 1933, the USSR afterwards na series of triumphal performances' n Moskou, Leningrad y Kiev. Oima fifties, et smògliasi rispòsasi with Mira Mendelson. The attendon home agni sorry: sibbene and 'studies to help you cum in the radiant deeds ZUA premessioni (32) of Socialist Transformation in the sense of the already miserable enough societad (33) Soviet-et there is even granted the fulvido + (34) title of "Artist of the people been" on the 'musique esti well soon branded a "bourgeois formalism" (35) ac "elitist decadence" (36), from' poetic canons of er demagogue M. Zhdanov, censored. Lu A flush of so many other artists, Prokofiev studiasi self-steering a middle course: face miserable na atque compuone pages laudatory self-criticism on the dictatorship of Lenin et de la apologetic story Alemagna war against Hitler. Throw the bucket at the age it sixty-two years, 5 of them March (37): chill zorn (38), Quill meis (39), chiddu jaar (40), yet pulls Beppe Stalin in the true CARDASCIA (41 ) All of Communists of the universe mundo. FIATA Tegner touches all the obligatory haesione ke into account (42) prokof'eviana to 'el dictates of "socialist realism" finds' n na manera Quaker partially match it' beliefs nor the inclinazion atque musical de l'OMPETENT istesso. U k and the states which they MUSEC à "melodious", "of a melody and simple clara, y k'el composer, more especially 'Or Soviet ke it ought to take into account the USSR zu (43) piece of art is addressed by the millions and millions of xsone (44): nn nu already a handful of aesthetes. A judicii Prokofiev's "the mad vogo (45) na large MUSEC the MUSEC large accidents, major love, vivid dancing." Et nn - feel the artist, Guaso contradicting himself: "I consider n 'error x a composer effort to simplify itself. Agno effort in lowering the level of the ascoltator eni lu (46) unconscious contempt de la maturitade cultivation of Chisti et de l'isviluppo de 'tastes her. this attempt Nu' encloses 'n itself n'elemento of pretense. MUSEC And the' nn nsincera endure pole. Pro veritate, nor the deed of urgency and a Prokofiev iconoclastic modernism of the twentieth-century lifeguard el admirably fòndonsi et la remembrance to the echoes of the classical tradition. Hence the Derivan na und compassatezza un'assignatezza (47) essemplari 'nseme et innovation. Ruling 's sense of the musura (48), ig (49) iuoco pizzuto (50) sed de nos desecrating the hue, which aspires to lead the dissonance + harsh and rubella corn every hour afterwards he returns to the bed of harmony of the eighth, it makes up listening to family pages et unannounced 'n el the same time. The art of Prokofiev nn content disocculta capital, so - abysmal: Besides: what MUSEC of what music is poeva (51) 'n el rasping ac demolished Seculo twentieth century? E nn - allide, seizes, scratch the sensitivity of ognaruno (52) co 'the determination Gajardo de' its rhythms (53) ignited ac obsessive co 'sparutezza the sharp lines of melodic and lyrical regretter ke (54) they seem, aut cojonar Magara, the abundance cantabile d'el romance; avec piercing characteristics of a lan ke lenguaggio tends always learning with Quadrella lan (55) et d'el de grotesque irony, aut, mejo, er of sarcasm. Havva 'n that' n er of Prokofiev ke a clown. Xe 'n lu, lu ave melosofo Guido Pannain as noted, serious atque zu zu facetious: "U serious s' lighter' n el smile, u will k'assume facetious tone of the provocative (56) impudence, but ke ricomponesi also 'n accents simple: in a folksy candor. " The ripruova it resides' masterpieces. Siena 'n between them such as al-cited the "Fifth Symphony" zu "Third Concerto for Piano and Orchestra", er (57) from Cantata "Alexander Nevsky", she (58) "Seventh Piano Sonata," the deed "The angel of fire" og (59) and 'ballet "Romeo and Juliet." ************************************************** *************************************** NOTE - (1) "author", Roma . (2) "had" umb. (3) "forge" (4) "catalog" (5) "his", instr. (6) "clear", sec. XV (7) "Present" (8) "muddle", nap (9) "the", Bergell, lt week. (10) "father", sic. sec. XIII (11) "man", cal. (12) "six", nl. (13) "year", ant. Lomb. (14) "three", spag. (15) "after" (16) "you" (17) Roman expression to indicate to ischiettissima wonder, to understand: e ke + wilt, MOREOVER? (18) "some" (19) she, ere to teach the APPO de MUSEC Russian choir, ivy the official pianist of the Prussian court suta (20) "debtor", Roma. (21) "will", arc. (22) "from" (23) "old continent", Sardinian (24) Molinari nos fue na rod summit mapper heard the concerts in the Rome of Augustus or dispose by the year 1912 to year 1943. Moritte it the year 1952, being birth nor the year 1880 (25) "Moscow", nl. (26) of a 'revolutionary poets amazing + et de lu twentieth century Soviet lived' n him between 1893 et \u200b\u200b1930: Suicide in Moscow, double havere advocated et miso verses into practice 'nfocati et mottos' nventati, in el de tourbillon them dissolute excesses of el core de la feverish political class (27) "life", Tosca. (28) "But," nl. (29) "fifteen", Roma. (30) "with", Sardinian (31) "someone", written. Thurs. Eur. (32) "promises" (33) "company", spag. (34) "brilliant" (35) considers the aesthetics Marxist el "formalism" 'no rio address, send ke research de la pure "form" of contents without inane est un oziar, loitering, amuse pinzellàccherescamènte, losing sight of Mo content, the goal which art ought to look upon: el id est contribution, in this case Aesthetica, a bright lu process emancipationist atque social policy of the working class (36) the "decadence" x is possible, ways of censoring + er "formalism". The name says listessa: decay, decay. E nn already a question of inevitability of decay, which Chillin in a car in every kind of worn on part: from the carburetor to the front, to 'basic ganglia, or what the human Chille de Old Age, against which nn Havva lifting, Botox, pill, liposuction aut aut clisteruccio supposed to the end, But d'el alma de l'decay, k et vicious spring s'avvoltola it the worst depraved lusts, nor the esquisitezze + débauchés, et gaude it has' to see ', as' crazy possessed na (37) "in March , mil. (38) "day", Fri. (39) "month", Piem. (40) "year", nl. (41) "condolence" nap. (42) "Accession" (43) and "the" maturity. (44) workers and peasants, socialism et Ommin pregnant women pregnant for the socialists, right-thinking Regazzi et criatura dainty in training, et cetera .... summa summarum, the masses (45) "want to" dial. (46) "is", dial. (47) "composure" (48) "measure", sic. (49) "the", Tosca. (50) "bold" (51) "could", Lomb. sec. XIII (52) "everyone", luc. (53) "his", cal. (54) "regret", fr. (55) "arrows" (56) "of" the LORD. (57) "the", tick. (58) "the", emi. (59) "e", Norvir.

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Nicola Rossi Lemeni

Lemene NICOLA ROSSI (1920-1991) Madame Zehan Virginia (1) the apo cognobbe hoisted the ladder Melano it the year of Our Lord 1956: it both of them '"Julius Caesar" by Handel committed. And the spliced \u200b\u200b'n SECUNDO spusarizio the ann (2) appriesso: loving, in return, a dolz d'amour. De vader (3) Rossi Lemeni, no officer proud. De Moeder (4) Russian, the singer Xenia Lemeni Makedon, scodellàtolo x fortune in Constantinople, radially (5) the pristine seva (6) voice teacher suta. Nicola avian vocal ISTUD hereinafter 'n part as a self-taught' n part of the choir el maestro Cusinati 'n Verona. Doi's artistic designs, deprecated (7) and loved to cross the udimento of recordings, 'the legendary Russian Fyodor Ivanovich Scialjapin, the mouth + low charmante d'agno tiempo evaluated (8), and el - Gloria De Nazzareno Angelis (9): nu Quirites down from the uvula daddivero strapossente: paradimmatico soratuttum (10) nor the deeds of Wagner und Rossini. Beyond the original passion x el hand, ol (11) heifers Lemeni Iera eziandio to 'devoted himself studied educational methods: sezz from the Faculty of Law from the University of Pava (12) attending. Avia et tijdens military service (13) the secunda guera (14) mundial. Ere ke Valentre Anco (15) artist, x-man will fabric Lemeni end sensitivity und thoughtful manners, rich in (16) chilla noble discretion by 'Proposed fruits of a shrewd cultural baggage, et iscevro hyperbolicity of the star-like exhibitionism and k' avi learned, however, captures y, et conditions 'lu nzino to ridicule, a few paragraphs of the dangerous spotlight opera stars:' n Italic inspected. Elli radially in el nu seigneur true meaning of the motto (17), ol which eschews self-Mitte 'n shows, on the merits to boast of them propi y lu chatting to him by' n Huns case: and of 'soi professional ordeals. Rossi Lemeni dera on (18) musician (19) ere 'ncor k'on singer. Dice the means k'ei MUSEC dera (20) of these 'ke cognòscon, unlike legendary status uvula: idiots (21) music ke oftentimes of a merciful master abbisògnan, ol which we recall them and the Cumulative translation example 'n things actually sound de notes, de pauses, de figures, de' rhythms on them 'mbrugliusi staves (22) scored. Rossi Lemeni issofatto revealed a wealth of talent et peculiar affinity co taliduni xsonaggi faithful, they would have accompanied the tragic ke 'n ver de la vague career, from the Italian début in 1946 Chillin remote paths k and the Edda (23),' n Trieste, Philip II in el "Don Carlos," Verdi, atque, 'n Venice, Varlaam in "Boris Godunov" by Mussorgsky, then by chance trionfente (24). Low-density ac-paced or deep imo sibbene nn (25), suggestive haves' NTERPRETATION offered in the Russian repertoire el, el melodrama of Verdi's works because of ac "Mefistofele" et d'Arrigo Boito's "Faust" by Charles Gounod. But while gifted insembre (26) with a strong vein of shrewd irony, of unusual slenderness ac dexterity, such as to impersonate xmèttergli of figures such as Selim in "The turkish in Italy" by Rossini, Uberto in "The servant mistress" Pergolesi und ol "Julius Caesar" Handel. Besides ke singer, master of the stage actor, ductile nor the recitazion paced 've nn the contrary from the cluttered et de grullerìa Unbreakable' whims and incompetent directors ke s'en Vonn (27) assumption of thrown back and re-establish the opera scene from the wise laws. Debut 'n el 1949 in Argentina,' n I el 1951, Istat United States, 'n In 1952 in London, Lemeni Have shot them triati x (28) of miezzo munnu, accompanied by authoritative conductors - by Tullio Serafin, sailed competent melodrama y withholding Arthur Toscanini at La Scala in Melano, a sovereign lu Herbert von Karajan - flanked by the Callas, Tebaldi by the et, ça va sans dire, by vrouw (29) Zehan: urbi et orbi made laudazioni criticism of passionate applause y metendo (30). Differing national vote by more singers of fame road sempiri ventured to the crease and imago of their star-like ponare (31) to undermine its lucrative lu charisma foruscendo from 'traditional binary d'el classic-romantic repertoire, the music singer-nn ae 'n trent'ott'anni career ignored the production! Baroque cuzì comme nos s'edè denied the arduous de l'deed to the modern or contemporary avventatàggini de la. Lu regard to the recollection like Gajardo on '' er nterpretazion of "Wozzeck" of Alban Berg, yet corn in the deeds patecipazion k'ei contributed to avi Diffin et apud to pray (32) the consideration pubbrica: verbigrazia, "Billy Bud "by Benjamin Britten. X syphilis, the x ispecìfiche as his vocal et interpretation, Ildebrando Pizzetti compuòsero "Murder in the Cathedral" 'I n 1958, Mario Zafred "Wallenstein" in el 1965, Renzo Rossellini's "A View from the Bridge' n el 1961. Lemeni Rossi et madame, quanno free from contracts, dimolti iuorni de la trascorrèan been in a pleasant villa 'n Fregene (33). As the hours of morn, the dera, step there, allowed for the regular Essercizi hear you voice: inquando of de 'duets, as allotted by the UN nor the monumental stage scenic pine forest. Afterwards, nn without out any melancholy, the couple departed from the United States and it transferred them there: where was a Signal and certificates of May (34) opinion (35). A lu paro de l'innocent, they Rossi Lemeni comme nos capacitàvansi of the opera houses of Italy 'no fuss at the mercy of an equally fierce partisan lottizzazion ke boor Caggiano (36). True reform has ke nn radially suta yet legislated. Double ke pegghiu serebbe, twijfel buiten (37), essuto. ************************************************** ****************************************** NOTE - (1) excellent soprano Romanian, was born in Solovastru 'n Transylvania it year 1928, in Augusta debut in Bulogna et Taurinorum he year 1948, et isfoderò it 'being dimolte seasons eight-twentieth century varied repertoire, excelling them' role of Violetta in La Traviata (2) "ann", Piem. (3) "father", nl. (4) the "mother", nl. (5) "was", tick. et Romag. (6) "his", par. (7) "appreciated", arc. (8) was born in Kazan it the year 1873, the dazzling success of the principle mundial début at La Scala in Melano it the year 1901: the war horses "Boris" et Mussorgsky's "The Barber of Seville" Rossini, silence of other securities. Moritte 'n Paris, nor the year 1938 (9) Roman, lived between the years 1881 et 1962 a year, Before singer of the Sistine Chapel and Julia, afterwards the début in L'Aquila, he year 1903, avec "Linda di Chamonix". Mapper on the 'specializzazion fue "Mefistofele" d'el Boito (10) "above all", T. Folengo (11) 'the' berg. (12) Padova, pop. (13) "during", nl. (14) "war", Roma. (15) "valiant", F. Bags (16) "of" (17) derived from the Latin. Senior ("elder", "old"), k it 'Primieri secula p. No Ch nn buy - the same status (18) "a", loins. (19) "musician, Eng. (20)" was "(21)" illiterate "(22) in lenguaggio vilesco: u lu score singing master law as written v'edè. Asinine El singer listens: repete et avec la propia boce . Nn unlike lu canzonettaro k'invoca a musician perokké je put forth sur motivuzzo the staff (with its arrangement) et skeletal k'ignudo the esti shake 'n the head (23) "saw" (24) "triumphant" (25) synonymy of such rhetoric,' he used the n ' atque Italian Renaissance Baroque (26) "together" (27) "go" (28) "theater", nap. (29) "wife", nl. (30) from "Metere", "harvest", sec. XV (31) "put" (32) "at", lat. (33) devoted to the maritime district grateful estival holidays, an abundance of pine trees & houses, it located 'near the City of Eternal sed he inscribed the little town of Fiumicino: urtimi the years that he pines sunt x fatal diseases decreased, But, in compenzo, villas, spetialmente "row", while increased assaje lu nn pearly sea ceases to be discouraged by the swimmers ke, obtorto neck, replace kon pools of bathing establishments (34) "major" (35) "appreciation", Eng. (36) "fallen" (37) "without doubt", nl .

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The harsh loneliness of the music critic

THE HARD MUSIC CRITIC OF SOLITUDE "Vae soli" (1), and "k Nn making this the good the man should be alone" (2), and "Tristis eris is solus eris" (3), and "A man sèmpiri is lonely 'n bad company "(4), et cetera ... All right, nn la solitude est toujours consecrated (5) grateful: au contraire, x tantiduni itself (6) 'nsofferìbil istato.But well ell'esti conditio a sine qua ke nn resùltino reliable figure of moral et la prattica professional musician Kritiker u (7). X lu solitude which the goddess (8) 'No sense' NTES them, or what is renunziazione lu relation to the social actors kon de lu mundu which ig (9) seju interest (10) und aesthetic culture volgesi. Dè (11) 's Kritiker they onnino (12) works from which you want to sort of do the act of weighing Conditionnement und u giudezi formula (13) value, k Scion pretenne sine ira ac studio: o be dispassionate. But real conse eziandio k'e x 'nn pol essercitar with chienezza (14) such vrijheid (15) where the Facultad soa (16) Critique subject aunt - et nn nn be described in words, is good 'n maggnera (17)' nconsapèvol - reports to them amistad (18), aut of mere cognoscenti, with the composers, conductors, instromentisti, singers, 'mpresari, managers verrizzuso to chill (19) et estraordinario Musica Mundi et theatrical 'n k and performing the office just come, ke nn' l propio tiempo. Apparently, verbigrazia, bastanza natural thing to utter: "You and I as Castor et Pollux simulated amigo, et Damon Pythias, Nisus et Euryalus, et Orestes Pylades, Ulysses et Mentor, ac quant'antri .... Mais stàttene accuorto, et Clari terms, k is Diman sonerai evening, sing aut, aut establish, for an Emperor by scumbinato aut, aut by peracottaro, ll'usitata meja (20) No equity power, or will, be silent on. "It bbene, occhèi, it will map this day our daily Prattico, despite nn 'r lu megghiu propos de Munno, dicto link' nfluenzerà inevitable - 'n varying degrees: it depends on contingencies et xsone - La Serena und de nuchterheid (21) de lu judgment (22). Meanwhile ke 'the musician musicien Kritiker k'ascolterà und iudicherà lu lue way to forest, you will cum keto posting it' respects of syphilis, aut cum chilla benevolent nonchalance mejo k ' unquemai and 'capable of FIA essercitar it' respect for el cognoscenti. The k'edi is very difficult, if impossible nn properly, a - nn bingo (23) in a sort of estrangement ac doubling of the de xsonalità, attend xsone, constrains the MA (24) the co sonrisa (25) 'n on the lips, ircII at table, inquire about the kind Moger stories, news on the figliuolerìa, chattering of diversions (26) y politicume, holds forth the poetic ventures engaged (27) them on their rivals - 'n sum, to establish relationship of complicity nu (as of today costùmasi wax) - and besides, it' will Jorna (28) nor the ure aut ( 29) appriesso, capsize gallenaro lu (30) discusses them in their performances. The two contrary cases: the amistad aut (aut cognoscenti) und will crack if scasserà forever; aut chiddu selfsame report, mangy xsistendo, take unequivocal connotations Tolheit of (31): comme if 'the critic and criticized el inhabitants of a planet cave fùssino: other than' two contrary 'DENTIFICATION ke frequèntansi atque travaglian nor the stinking recognition (32) valley of tears. Tertium nn datur. A Kritiker it fits the music, things stand, part facere x itself: malgre-lui. Migghj (33) yet which can be inaccessible if he Fusse Monego (34) Tibetan 'n bowl stuck in the snow-covered mountain, which quietly Trappist xduta Vocca, and besides yet sphinx, scurbùteco, Falotico, und misanthrope, when asked of' the case , lu a misogynist - pro tempore: 'the time of a cantata sive sonata. X other, the severity of the sentence und transparency Critique 'n el de public 'readers' nu nfondono pucurillo engaged ver' chiste class conclusion. Ké already esti x itself "dirty job, critics, et malveduto as that of el Executioner", Giovanni Papini accumme à grotesquely observed (35). ************************************************** ************************************** NOTE - (1) "Woe to the east just ki "Ecclesiastes, 4, 10 (2) Genesis, 2, 18 (3)" Will you be sad if you're alone, "Ovid," Remedia amoris, 583 (4) Valéry, "The idea fixed "(5)" thing ", Fri. (6)" is "(7)" critical ", Ger. (8)" must "(9)" the ", Tosca. (10)" his ", Laz. (11) "must" (12) "absolutely," sec. XV (13) "Judgement", Bol. (13) "must" (14) "fullness", nap. (15) "freedom", nl. ( 16) "his", par (17). "Magner", Roma (18). "friendship", string (19). "capricious", nap. (20) "my", val. (21) "l ' objectivity, nl (22). "Feedback" T. Tasso (23) "fall", A. Firebaugh (24) "hand", dial (25). "smile", spag. (26) the Italian term east was hired by the English lengua ke n'à bowl "sports", ke Italy took on themselves, thinking, in comparison lu, insulsetto the original. Since variation of + el ke like theme. Even Goethe had ruled: "Nur Neuigkeiten ziehn uns an," or is "only what pleases k'est novo" ("Faust" I, 4113) (27) "confidence" (28) "days", sic. (29) "hours" mantle. (30) "madness," Ger. (31) "thumb", nap. (32) "our" ant. Puglia. (33) "better", sic. (34) "Monaco", loins. sec. XIII (35) pointed the Florentine writer wrote in the year 1932 a tasty Domains volume entitled "slating, 1904-1931," by arraccumannà yet today those who intend Gioveni, et risico at their peril, to start mestieraccio lu said: opifizio mottos of rooms, et et ricettaculo of unknown insults curses. Ké year too many authors I spit 'venom against them secula atro et criticize the critics: by Samuel Taylor Coleridge ("They are critical k'avrebbero people wanted to be poets, historians, biographers, etc. ... if they could, made the experience! Year of the fancy their aut neither one nor the other be successful without happy: xciò they were engaged criticism "), to Gustave Flaubert (" It is critical when you nn art, the way istessa ke nn is a spy when you surdato lu "), et cetera ....

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Wolfgang Amadeus Mozart. The musician (2)

WA MOZART The Music of Mozart Musurgia The imago (1) este profonnamente 'n sa (2) civiltade uropean de 'Enlightenment roots. Mais sa MUSEC soa (3) transcends them frail soi et sa historia space-time bins, x itself raise as a "unique" of the creative spirit of the civiltade occidental. Sa xe inscribed light ZUA quiet, powerful und eternal, nor the oneverzo (4): I know that esti und el 'nver et rose to join the range with the growth of every human being. Along doi Seculo, knows Musik (5) er of Salzburg itself (6) suta every hour, 'n other Mensura (7) of intensity at the events' nteriori de l'homo companion looking for quality portrait of an aspiration to et na to form a perfect harmony of prefects (8), looking for quality content is an expression of conscience, as x cable (9), and tumultuous inquando of desperate, a triumphant plenitude of self led. Musik ke configurasi what kind of collustrabile (10) und superb Leibnizian monad (11) answered 'n life ac vibrations of sound; know lenguaggio' n the eternal utopia and inevitably answer 'n el phenomenal Munno. Johann Sebastian Bach ava 'n baroque glorified the divine figure, which included intr'el avia y lavishly dissolved the human. Ludwig van Beethoven Cum reverse the process later on he would have exalted the romantic epiphany of the human s'adderezza ke na nature re-created to forge propane sameness: 'n sublime nominated co' the Absolute. Souto (12) lu profile historian, the art of Mozart is the third und diffinizione postrema (13) - appriesso chille de Humanism greek Itala et de sa Renaissance - of a poem k'adempiuta boce dae to the yearning of a ritruovata communion 'n between man will et nature or which is at the quetudine, a la paciositade to glimlach lu (14) of a primal numinous: S'Ardia dicere "Eden". Moreover, unlike the nn et suerte (15) ke-stroke, albeit at different times, each and every kind of artistic expression, er lenguaggio musical de la civiltade Western educated, obtained from the peak lu ineffable eudaimonia (16) und l 'Elysian musura (17) Mozart represented s'avvierà already' n about the threat of dawn el siglo (18) diesem (19) ninth, to a gradual und uncontrollably identity crisis of the form, to a diversification d'el "feeling" and spelling of el lenguistico fabric - enough to heed the Dramatica und tormenting creativity of the "Romantic" - translate ke et indicate 'the malestar (20) et de eenzaamheid (21) pillars of the modern man and of the artist : het opstand (22) Promethean before, er troubled retreat afterwards to the unheard their disharmony. Crisis ke + s'accentuerà it via the struggling music production el twentieth century, Addo postulate Fira (23), 'n parallel to the nonpossa (24) of what has to be an organic vision of Aestethik el mundo deduced, the 'tout-court exhaustion of el canon of ideal el Bello. The art music of the twentieth el siglo, 'n sur point to close' the circle, edi (25) to Cozzi et them to 'zagajamenti (26) returned: edi them to shreds and raw sa dark 'ncomunicabilità de' early-session. And the agony of self-represented ae: between the noise 'aut ntolleranza the task' gnurantità (27) of the people (28) art de co ke dilèttansi 'sounds (29) to communicate. Nowadays' boyfriend enjoys the divine favor of a custom er apo pubbrico de lu Munn, sibbene the generation of apo 'and contemporary composers tardonovecenteschi nn exceeds' the limit a general statement of the museum ac Admiration. The Mozart resonates Josca Muzik (30) since y musique sacral mystery: na de vanguardia spices in the opposite direction, to the shores of a mysterious past time, recollection et ke man will sing the full integrated und 'n irremeabile a "Weltgeist" comme Dichen the tudeschi "the spirit of el Monaghan. Musique transcendental performed from outside it by the apparent de simplicitas writing, from very harsh Caperea cu (31) elementary divine intellect corn avec them meaning: nn differently from where the lofty scorched nuautri (32) Auto aspiriam guard as the flower the rosada (33) sucks. It happened to the reduction in the de Nossa civiltade a fenced field purely mathematical, scientific laboratory 've homo scìndonsi crusher as the individual parts to the whole, and her will be dissecting the unrelated et ineloquente their fragmentary nature, it' s indifference x ell'unitade et el spelling well lost, the portrait of genius from Salzburg recollect discrete und er balsamic to the melancholy d'el shipwreck: caress the vagueness of 'painful (34): medical sores de' recesses: what flatters trasognari of emaciated remains. Havva ke nn Dubbianza the sidereal and the subtlety of the art abysmal dolcore ZUA nn s'acconcian a plebeian consumption. De muziek (35) Mozart unquemai to work in the manner of Verdi aut chella plebiscite of Beethoven: the ZUA universalitade nn confàcesi excited to the brigades, will nn lu precium (36) of gross misunderstanding (37). Nn miss, 'n el clear sign of a secular and sacred, it' the ways of the register x + esquís and melodious, suffused with irony alata, which connects elle plot 'nvisibile und avolgente, and met with the thick atqu'isparse requests bianchitudo (38), a tenacious ethics und residual religio k'albergano, reviled, nor the current hora et inherent in the breath of ransom, "ricompuosizione" Huns k'agita hombre (39), it 'meanders both tacit (40) pudicitia. Taliduno dise (41) Mozart lu mannu Prus (42) musicus (43) all of them tiempo. Other diciunu (44) Ludwig van Beethoven. Johann Sebastian Bach is still no other .... But Rason ki (45) Tène (46 )?.... Well, all of them, as happens ke ab origine et toujours de l'intention of x changes Universe Machine Oman (47) all c'abbino (48) Rason: inaniter (49). ************************************************** ************************************** NOTE - (1) "composer" (2) "the" Sardinian (3) "his", par. (4) "universe", nap. (5) "music", Ger. (6) "is" (7) "measure" (8) "perfect" (9) "deep" (10) "beautiful" (11) from the greek "monas" k means "unity." The monad postulated by the "monadology" (1714) of your great philosopher und lipsiense mathematician Gottfried Wilhelm von Leibniz x simple entity, an atom, aut substance, immaterial constituent, together with the altr'infinite monads, the universe everything. Primera east monad God, hence the antre descend. Nevertheless antre nn know which one o'clock nisba de l'antra: live and act in total isolation, sippuro will touch on: since the unremitting stream of 'pedestrians along Fifth Avenue in New York ke never say goodbye: a needless slightest smile, a nod el head, a raise of the eyebrows, a fictitious scappellarsi: you go, each x itself, true Leibnizian monads , to 'propi cases: in the commune unattainable happiness questionable, longed, as if they lived' n el "megliore de 'Mundo possible": according to the head of credèasi lipsiense ovo (12) "under" ant. Trev. (13) "definition", sec. XVI (14) "smile", nl. (15) "fate", spag. (16) "happiness" (17) "measure", sic. (18) "century", spag. (19) "" tenth ", ant. Fri (20)" malaise ", string (21)." Loneliness " nl. (22) Rebellion ", nl. (23)" will ", arc. (24)" imposibilità "(25)" is ", cal (26)." Stuttering "(27)" ignorance ", nap. (28 ) "nations," G. d'Arezzo (29) in schematissima et paradoxically way: the shape of the western MUSEC, double a slow, constant et secular path of asceticism, follows the perfeccione 'n el eighteenth century, avec Mozart; and from there throughout the nineteenth century principles to be corrupted; atque disgregasi and annihilates' n el twentieth century. k'anco it goes without saying the seasons silver, or of involution, dònnosi genes equivalent to those of the golden age it: verbigrazia da Palestrina Monteverdi to Beethoven und und Wagner (30) "today", Puglia. (31) "with" ongoing (32) "we", sic. (33) "dew" (34) "regrets" (35) "music", nl. (36) "price" (37) André Gide noted ke Mozart este lu which the music + o Nosso time c'ae away. Favella sempiri half-mouth, 'n el and' the audience hears only cries now "( 38) "whiteness" (39) "man", spag. (40) "her, cas. (41)" says ", Fri. (42)" major ", Sardinian (43)" musician ", lat. (44)" say "cal. (45)" reason " , sec. XIV (46) "ha", mol. (47) "men", Romag. (48) "have", Roma. (49) "unnecessarily", lat.

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Wolfgang Amadeus Mozart. Man (1) Luigi Nono

WA MOZART THE MAN (1756-1799) Comme the night, vast und comme na imo root fop (1) the universe so poetic to chill de 'greatest geniuses of the human society paro. But lu unstable temperament, the humble life 'nteriore beyond' lenguaggio de l 'sounds, sensitivity to the coss (2) of nn er munnu hole (3) remote paths dimolto by Quilla "normality" ke Folco (4), y + darkens safeguards the part of the human being, while ke nn et excludes self bislaccherìe, charms, whim, originality of small boats. Wolfgang Amadeus Mozart fue spelling man, by nature and attarantata infantil. Ancorké speech and co write 'quite comfortable' n tudesco, Italian, Frenchman, well ke them 'dialects Salzburg et Swabian dimolto circumscribed radially (5) el cultural baggage I, et had capèvole (6): "Do not saccio Scribe poetic way: they are not nu Poet. Phrases saccio not distribute so cunningly as to cast shadows and lights: no nu painter. saccio not even there my feelings with his gestures and pantomime to express: I'm not a dancer. But I can do with them sounds: musicus ego sum. " Ordinary x que 'tiempo on the' Weltanschauung und die Masonic Enlightenment, rationalist conception soa mundo de lo, who was holding him while nn el commentaries by the death of Voltaire 'n terms ac bischeri reproach: "Chilla rogue is sanz'Iddio cracked, x, so to speak, as nu dog, na beast. Voilà his reward. "The teacher Salzburg nn ave certainly impurzi x (7) Beethoven's revolutionary, nor dark of De Sade u, nn el sentimiento (8) from the religiosity of Bach, Goethe sprendiente nn (9) cultural tension. E 'lived, cum propitious fortune, nor the youth, cum labore atque weight or maturitade: un'èbbreca in (10)' n k'adèmpier er in the office of musician, composer ac maximum d'el , severe ordeal radially et servile to the inevitability of the gray marked routine. potìe boast that Mozart Nos (11), corporal gagliardezza Handel, nn lu atque intense romantic look of youths el Brahms, aut el suave face of Schubert et ismarrito . And ye doers of the + MUSEC vague and Edenic land of CHEST stinking dera (12) little of stature, discharge it 'may be - "a tailor's boy" to him x iscòrger the streets of Vienna "- infermiccio' n el face. Swollen het gelaat (13). It lights exorbitant. Bentosto spasm (14) from invasive disease, renal n'importante et ke he would have urged him, thirty-six years already aitai (15) et in a state of need hardly mitigated by 'the pitiful recollect de' Masonic brothers, kiss lu de la Parca (16). The anecdotes et de hagiography the "stupid" of the nineteenth century afterwards he would have wrapped arcanicità chist'usualìssimo kiss, and dreamed of plots, of a work of venefizi x MUSEC rivals - Penza you, quer poareto, artistically harmless, on an Salieri - appears to the Sibillini 'n smell of zurfo (17). Whim hypothesis k'anca imaginative revivals gazzettìstici nowadays, theatrical-film ac pseudosaggìstici tickling. Terribly dull the components of the famijja Mozart. Papi Leopold und bigoted reactionary prone, as modest musician, to 'lysis canons de la tradition; ossequiosìssimo, accum (18) òminu, a moral na' ntollerante; kidnapped by neurotic spawning of isfruttar er dizzying talent of the creature (' n the process of castration) apo (19) the courts of Europe: "In the afternoon, Wolfgang became 'the coconut from the beautiful ladies, they race kha in caressing, kissing, keep it on your knees. "matra Na (20), meschinetta atque mules, familiarly dominated d'el husband and he loved to moderazion et avec dimolta from the istesso figghju. Na sore lively, companion to 'do iuochi the will and the pargolezza adolescence. Unna (21) cousin in s'avvalse 'n the green of the age it astonished him ond'a, et her yet, the prospects of play sollezzèvoli y Eros (22) reveals. Na wife of small aut nothing Cellore (23), k x ott'anni berth in Iddu Vivette never wane without being pushed by the demon nu kon convìver dubbianza of Summa. It 's the betrayed, the mapper turned well. cornificò Elle nn : nn already 'n virtue of an exclusive-amour fou und durable, but 'n reason of the smallness of their fantastic potential, or both of the constitutional fievolezza el know your heart beat faster (24). The Cain (25), popular singer dégagée k'avìa Amadeus, corn was able to maintain ke nn had 'n x ill take de bride' of her relatives, the gray waves Serocca (26) 's recoil. Ses Her children (27), of which quatter (28) perished prematurely: de 'ventured dui + (29), if Cozi rumor pol, one Saravia (30) anonymous pianist deventaa (31), the cave anonymous petty clerk: amendoi el father of orphans still boys. Amadeus nn band used to put them to the loving care of them ZUA hobby: verbigrazia iuocu er (32) of er billiards and the de carte (33). Of chocolate, delicious melons xsiche ac. But sovr'unni chaos (34), he sent 'n sollùchero use, oral wilt wilt writing, de la parolassa (35)' n-eminent function hilarious erotic. The costituìscon his epistles to the shining PURPOSE paradimmi vortex coprolalia (36). The remembrance aquì east bay (37) tantiduni steps orama (38) famous, as chillu de la corbellatura to the nobleness' n elected assembly collection: "There was a lot of Noblesse: Culettini the Duchess, Countess Pisciabene, and then Puzzadimerda princess with her two daughters "(39). Elsewhere, 'points out the Titan Salzburg avec nos gratia emergency procrastination: "Before I write I have to go to the toilet ... Done! Ah, now I feel lighter." Nn lu s'esime by formula "to any good friend and a friend fly ass full of greetings from us, by sending them greetings na place called" Pile, where the sea end up assholes "either by" Cold below. Festival of jubilation sconcezzuole ke he closed the letter el de la mischievous little brother in the remote paths sister: "I'm fine, thank God. And kiss the hand of her mother's face as my sister, and the nose, mouth, and neck, bloody fart, ass if it is clean ".... A cave of silence. Og (40) Charitable or pear (41) ke tratanto the strongly warned "not to eat meat on days of abstinence and avoid the people of ill repute. "Og el gentle youths soon reassured him:" I listen to Mass every Sunday and public holidays, et, if possible also on weekdays, you well know, my father "... . Abbeterno nature to 'figghji' nzeggna cum (42) fooled og glad zi (43) family (44) rompicojjoni .... ********************* ************************************************** ****************** NOTE - (1) "was" (2) "things", mil. (3) "were" (4) "holds" (5 ) "was", patav. ant (6). "Aware" (7) "Pulse", Roma. (8) "feeling", spag. (9) "beautiful" (10) times, nap. (11) "could" (12) "was" Tosca. (13) "face", nl (14). "Afflicted" (15) "age "agricultural. (16) meant the death. parche ivy three gods. Chilla ke presiedea to death the third and ivy ava name Atropos. Quanno the Vocca ela premea against un'antra, ivy made: et in omnes facer spells, yet unworthy to ke quell'òsculo always happen in the dark antrui Vocca and never to their own. The ke is the man believed to be of everlasting: or to - such as portas' n el rat race in Kobarid (17) "brimstone" (18) "as" mol. (19) "at" (20) "mother", abr. (21) "a" in January (22) in Rome nomato "Cupid" atque "Amor", was born according to Hesiod by the almighty Chaos avec et the office of combining the perennially attract things and beings. Na + genealogy petty Vole k'Eros sea and immanent offspring of Aphrodite and Ares (23) playful and archaic term (Already in use among the caves give bags), and compuosto by the words "cell" and "memory". X is acute, intelligence, et cetera (24) would have done the nun there, Sister Mozart, to stand up '' a flame of pure 'n den intercourse: she ke ke i'abbastava quer c'ava nun at home and in him there sfruguià er rate of erotic joy lu night by accident product: nun de ce patch in Penza the accident, in the thalamus, feathers el ivy which, on closer look, 'lazy + ke chez hot Wolfgang (25) "sister", nap. (26) archaic form and insueta x "sister", but un'anticchia k'est archaic form - insueta de primero. Both of them it the modern Italian sunt sute bluntly replaced by "sister" (27) "six children", mil. (28) "four" mil. (29) "lucky" (30) "would", Venice. (31) "became" mil. (32) "game", sic. (33) x VAT crazy "the merchant at the fair," ke famijjie filled with the sort of alliance of the Huns, however, it prattica 'afternoons and tardopomeriggi of the festive season and capodannesche: soaking of tables over mollicònzole colombèe and / or panettoniane, grumicciuoli walnuts, strips of dried fruit, yet vanite nn drops of Coke, thee, orange und antre pie Drink: vain to quench the thirst of mangy 'suinacei and devoured fowl (34) "thing" ant. venez. (35) "dirty word", Piem. (36) the term derives from the compound of greek "kopros", shit, and say "Lalia" loquacity: the speech or is obscene, k and we shall be deemed instromento prudently prepared by the cosmic machine affinké recurrence of human life through vigorous coitus et infallible at the END (37) "here" string. (38) "now", sic. (39) nn nn saw Havva ki na spices "gaddismo" avant la lettre (40) "e", Norvir. (41) "father", sic. sec. XIII (42) "as a" mil. sec. XIII (43) "i", sca. (44) "parents"

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Beniamino Gigli

Beniamino Gigli (1890-1957) Almost k vaniti 'n el Seculo twentieth Summi's music, being k'ol (1) musical lenguaggio esti deventaa (2) anything of a trust cchiù et ungrateful mirror, (3) a la crisis de la civiltade of contemporary art, will be replaced s'edè fantasy, 'hearts, they r the predilections of the people, performer or a composer lu: elo conductor is - think ol to the myth of Herbert von Karajan, aut, before, of Arturo Toscanini - solo or instromentale - Benedetti Michelangeli, Arthur Rubinstein - or opera singer. Fra Cotesta urtimi a principal place Benjamin Lilies from Recanati busy. Lu which fur (4) from corcunu (5) sealed because "the level of el people," und the heat of the enthusiasm of Hugh Ojetti (6) Diffin "the eternal content, all of them yield the Elixir of content ", 'n el and caves, with mottos + aggarbati et frugal, it overshadowed the" canary in the bell tower of el Recanati ". A la fe, fop (7) Gigli or tenor par excellence et de l'Thirties Forties conziderato; figure trassinar and likely inflame the crowds of music lovers will of States and urope: more especially chille tudesche. U content k'assunse dans le monde musical boce rhetoric of the effigy of Italy, et ke, Lorka 'n el midst of' sensational triumph at the Metropolitan in New York In asking fue s'intendesse 'to U.S. citizenship CIAP (8), answered smeradho kon (9) thrill of pride: "I am Italian et them my feelings will never change his nn, although much gratitude ego feeding x el ke me populo U.S. Preci ( 10), oh yes, and love. " Boce prodigal 'n a mood' ngenuo atque 'n an natural instinct. Instromento voice, 'No time left; el transparent' nchino sweetness to ac calimma (11) of accents: el charm of copious nature conceded to reality tenor, x et pretentious self-centralizing. Save lu Marche singer molested by the star-like turning back unto + poses. And radially (12) caring for a dative + (13), atque only (14) religious: a devout patre Pio x el compuose and what 'verse "O great High God', 'n MUSEC I put Manlio green. Gigli nn assumea behavior for aristocrats, nn we left (15) 'n el Olimpo its glittering as other colleagues cry. In the dense crowds of 'me delirious fans' (16) loved him mustrar xsona affable, happy in his hand:' n lu same wavelength with the previous myth estrutto attuorno of Enrico Caruso - a color ke oftentimes the apostrofavan "Caruso II "Gigli objected:" I would like to be the known as I Gigli "- in contrast to Lu et baroque subsequent myth of Mario Del Monaco. Truth is Benjamin Facettes ke na villa sixty twenty-eight rooms ac salles de bain build, the huge corn guadambi using substances, yet large sums x pro und hospitals orphanages. Solea allicurdà (17) years of hardship the pristine et desasi (18), et ìvasene proud: "I'm glad to have sum hunger, cold, grim (19) suffered. Suta east sol ke choir 'to show us m'abbi cognoscendi 'to life, and, this Above all, ig (20) Omen ". Gigli finds himself on the boce ada nn so far as I can do the grace nor the y accuorto abandonment to the pathos pampering overseas (21). The figure chilla ke + lyric on the Dramatica ae 'Maineri (22) pointed to and the et mark model of a very vocal afetto (23), whose ancestor (24)' when referring NTES, in vain, 'ntiere generations of tenors. Nn faculties of gathering up the spelling, lathes deffinire y 'n the model Ravissant features vocal de 'xsonaggi' NTERPRETATION, cu (25) nu subtle tonal gradations and refractions of iuoco et grooves of phrasing, it is qualitative, it should be questionable, the remarkable de + interpreter, 'nseme to the exact' ntonazion, emission at the tip of the notes from the severe acute lu register to glaze them in the abundant palette et de le mezzeboci. A lu Gigli singing notes escìan clear, Guaso scanned fuss: I took (26) par ke - ke xduto neglected hip '+ commendable and acclaimed tenors nowadays' n career. Narrative biographies of Benjamin ke lu patre radially active Calzolaro und er bell-ringer of the Cathedral of Recanati. Nn navigavasi or gold, 'n Quilla fameia, avec drie (27) females ac vier (28) in males the sgheusia (29) tear out. A Blue, vegnente ghiora (30), nn + badàvasi much, if nn quann'edera reasonable (31) el beating 'n x asked to sing' n choir during religious ceremonies. Benjamin yes occhèi ke sang in the local seven-fop Schola Cantorum admitted. At 17 years of age it, the mouth, however, "soprano" allowed the u début in Macedonia: 'n womanly clothes:' No work of this Billi Alessandro. Nn despite the opposition of 'relatives, one year appriesso Benjamin departed Rome at the time: to attend regularly during the nu Istud: co' lu sacrifice paid for a miserable straddle him. A pristine, large sodisfazion, k'edera 'lu nseme result of an unremitting APPLICATIONS, there was' n el llujjo d'el 1914: took part avec nu hundred candidates to contest the 'x NTERNATIONAL singers from the Conservatory of Parma promoted the vicque et (32). Priate (33) comme n'iperbore (34), er president of the jury wrote down a berth lu judice: "A to the end, nu AEMO the tenor." Historian début in Rovigo that cum "Gioconda" by Ponchielli, intended to doventar between 1 and 'cavalry battle of el Recanati singer, ol which has been from the maestro Tullio Serafin k'il propuose captured at the Teatro Carlo Felice " x Genua 1914-1915 opera season. Ben soon revelation fes (35) 's tour de' theaters May ausonia atque, 'n el 1918, we opened up the doors of the "Scala" Melano. For the Introducere fue Toscanini Li ke 26 of descemmre he went 'n el "Mefistofele" d'Arrigo Boito. The outcome trionfente dede (36) in the Giovene 's passport + x them authoritative triati opera d'el mundo: a steady crescendo of scripture, success, fame and accompanied Schei. And I know the (37) beheld (38) Facettes mad. A er the crepagion of Caruso, it the year of grace 1921, the Metropolitan in New York lu x hired him eleven consecutive seasons: co 'cachet staggering. Fop et d'el propio necesidad the American theater to deduct from the fees - the ivy 'singer paid megio' n absolute - because of the bitter economic crisis the country traversed by the Stars & Stripes, ke Gigli led him to put an 'n abandonment chiddu stage: nn, however, to discontinue the tours they will most welcome the States, paid with caves criteria (gajardelli toujours, de toute façon, sti criteria). El répertoire deeds I had twenty-eight musicians. Beloved, as obvious, chill bel canto by Donizetti, Bellini and Massenet, Verdi and Puccini sed pure, in addition to "Cavalleria Rusticana," "Pagliacci," "Andrea Chenier" and "La Wally" in Alfredo Catalani El Tosco, the Lorka mouth, 'n de el will flow the years, turned a + Dramatic inflections, et + feo darkening it to (39) try (40). The completion ave carrière avec American tour na 'n el 1955: The last performance in Washington that 20 of them iuorni maium. In Rome, dui years afterwards, 30 of them iuorni noviembre (41), the end of all things as a result of a deadly form of pneumonia. Tàcciasi 'n I get sporadic et HOLDINGS illepide a tearful films (42): dubious junctures (43) x assaje vague masses of scouts (44) ac "see" the Voxia (45) und beam content of el popular' n Paggino usual opera en (46) in vilesche canzune (47) melodramaticheggianti. ************************************************** **************************************** NOTE - (1) "The 'berg. (2) "became" mil. (3) "mirror" (4) "was" Piem. (5) "someone", sic. (6) nor the Ojetti nascette Urbe, will the year 1871, and, in Florence, went to the most was the year 1946. Fue lively and skillful atque newspapers, paid 'n different fields: from the piece of art criticism el color ke na amuse the time were usually sent to special (7) "was" Romag. (8) "take," Piem. (9) "beautiful", sec. XIII (10) "appreciates" ant. (11) "heat", nap. (12) "was", patav. ant. (13) from lat. "Casus dativus," or is "giving". East is a very important case of the declinazion, k notoriously includes name, genitive, dative, accusative, vocative, ablative. EXAMPLE "dative", "Lue gives me - nun believed to be stuff - 'na loaf co' 'a mortazza. Chissu "on me" (ke et rooting almost swallowed hungrily, tant'edè excited, the glorious pork products home Bolognese), esti magnificent dative (14) "sincerely" (15) "isolate himself" (16) "better" , ant. (17) "remember" nap. (18) "inconvenience", sec. XIII (19) "misery" (20) "the" dial. (21) celebrated el so "hiccups", which took advantage of inquando (22) "style" (23) "effect" (24) "have" (25) "with", Sardinian (26) "honor" (27 ) "three", nl. (28) "four", nl. (29) "Hunger" Piem. (30) "Glory" (31) "should", A. Fiorenzuola (32) "won" (33) "happy", nap. (34) the Hyperborean, mythical people dear to Apollo, k and the Greeks nor the allotted lands of extreme chiste Munnar Guaso Eskimos fuss. Maybe Only because the chill of the ice ice Huns pathos co 'et associated outbuildings, the Hyperborean ederan kept very happy Zenti x, k + nn pol (35) "made" (36) "gave" the course (37) "his "During (38)" life ", Tosca. (39) "the", loins. (40) "color", nap. (41) "November", spag. (42) "Do not forget me" d'el 1934, "Ave Maria" of el 1936, "Mother" of el 1941 (43) "opportunities" (44) "listen", mil. (45) "voice" ant. January (46) "and" nl. (47) "songs", Puglia.

Can You Paint On Ski Helmets

Luigi Nono (1924-1990) Luigi Nono, ona or both (1) significant between imago na (2) + controversissima Itala MUSEC issue de la de la secunda half dl (3) twentieth saecula: saecula poor as Job genes to ac ESTABLISHED masterpieces. From singing in the thinner in width dl mand (4), the intellectual de la Kultur, a singular talent lu dl MUSEC, zi (5) posters misunderstanding which is based suntu aesthetics, to (6) poetic musical ac prattica dl master Vegnesa (7): ponato (8) to center dra lu (9) life atque de music controversy dl time to know the hegemony of Marxist work ona culture matrix. Already exponent dl PCI (10) Veneto (11), Luigi Nono heeft (12) the emblematic Kunsten (13) configured engagé, organic nu ideological system in which 'n manera aware, aut arraro + (14) Products (15) acts of' immediate and naive affection haves (16) und a sacredness in vrijheid (17) de 'de l'art-related content. Nu fulfilling process' nverso to chill just hope the "disinterested" aesthetic reality dra, ol (18) musician have, 'n dens terms, reduced to absolute transcendence immanence poetry dra de' worldly phenomena so as to reaffirm ona thesis "political" or both "prattica", id est anesthetic: cumulative (19) would notice 'the Vegio Pescasseroli by Benedetto Croce (20). With similar goals ideological, in the campo de lu applied dramaturgy, moved s'edera triato mighty lu (21) epic by Bertolt Brecht. All time (22), a difference (23) between na und lenguistiche methodological default state seems to do (24) decisive mentreké lu writer (25) Marxist writer tudesco consistent cn ell '(26) the assumption of political emphasis and de la destinazion popular deed de l'art et employed ona flat writing a lexicon "low", although it the scope of a strict stylistic rigor, Nono avi (27) the emotion (28) 'from the masses catch NTES cn nu lenguaggio sound very aristocratic ac esoteric at times. Ona writing at all dedalea und abstract at a time narcissi calligraphic et at Fiat, in academic mannerism: write 'et ntellettualistica next to the paralysis (29) dl silencio (30) - paradimmatico the case of "I, fragment by Prometheus" - yet the shift to electronic techniques nl und lu tape. Er master custodian xe lu (31) par excellence status (32) of Chilla ivory tower 'n ke rinserravasi, his own free will,' the avant-garde composer 'round about the mid-twentieth century dl. Iddu xe lu de l'isperimentalismo tissue sample, the lieutenant de la musique tetragona dictatorship essercitata from the radical sixties und postweberniana it the Seventies: chill music at all alien to the sensibilities of lu y taste of the masses, paradoxically placed programmatically ac as subject to "capture" and seduction 'er of the aesthetic principles of "socialist realism" on the object to the cultivation of Nono sentìasi absolutely nn (33) foreign (34). Nl un'interview course, Nono specify in letters to soy clare (35) cogitatio (36) Marxist 'round about the art, et, in especial manner, to' the triato musician - he said to you from the "theater of consciousness" - what instromento political propaganda: "For me making music xsonalmente x 'ntervenire it contemporary life,' n the contemporary situation, nor the contemporary struggle of class, so a way to produce something x provocazion et discussion." Und en otra party (37): "The avant-garde music east that s' expresses, suggests ideas nine k 'nu can nteresse certain political movement, over' all 'the working world its technological und kon them problems crop. "But Iera (38) do not license ke the naive social engagement of Nono sank in front ona muziek ( 39) the ZUA, ke poeva (40) the least 'nvolvere (41) to arbeidersklasse (42), they taste of the music which bows eram (43) nn early as lexicons et structuralist syntax, postdodecafonici, et cetera, corn Plut ^ ot a flat tonal melodies, harmonies rotating on the tonic, dominant, subdominant, sensitive, und und cadences Xfetto agreements, et cetera (44). Atque 'ntramente (45) hy (46) compuoneva "Do not consume Marx," Ein Gespenst geth um in der Welt "sung ona jokes about the newcomers dl "Communist Manifesto" by Marx und Engels famously raised it the year of NS 1848. Et hy EXAMPLE went to "Factory enlightened d'el 1964: cola (47) 've Iera direct artistic goal to" make known to express et' l ke particular existential moment was in the interior of the Italsider of Genova, 'n lu specie conditioning ac harmfulness to which they subjected the workers were in the blast. " Truth is k'in appriesso, qnd (48) irrefutably diventette (49) of the inaction of the constatazion the masses by the masses chille MUSEC x, Nono legalization have (50) k '"u mass concert passed east to 4 nu xsone make public. " Ol theatrical license er componist (51) + ke Have enthusiasm apologetic y sensational controversy touched (52), shouts of triumph et quashed toxic (53), tissue ze "The great sun load of love ',' n mundial first represented at ol Opera House Milà (54) 4 of them abbrile (55) dl 1975, et la Scala taken mexo nl (56) of Febraro (57) DL 1978. Inspired to a line from Arthur Rimbaud wrote to Jeanne-Marie, whose "powerful hands are wonderfully pale sun of the great load of love by making the machine guns of bronze de l'arose Paris", y el devoted to Donna (58) revolutionary de the last cent'agn (59). Ona 'ntrapresa voted, while dessa, l'amour na exploited classes x, u' (60) the figure of rhetoric, if nn firefighting, x attemperata (61), where nn dissolved by lu savoir faire Baroque: Mon theatrical sense 'n possession overseas teacher. El Nono HAD (62) de toonkunst (63) Istud sotta (64) led by Gian Francesco Malipiero, with Bruno Maderna xfezionando in prepara el ac Dirigent Hermann Scherchen. He graduated 'n Law. In Back to the Fifties agn, Karlheinz Stockhausen cn BC istesso Maderna, est'ello 'ntra hoofdpersonen zi (65) de' famous "Ferienkurse", Darmstadt, primary centers of irradiazion dra "Neue Musik" - woe to lu musico ke partecipassevi! Fora banned from the fabric of the international symposium "MUSEC ke is" und "ke counts." Ele (66) remove (67) x Mojje 'to fijja to Arnold Schoenberg. Nl 1955 imposes cn "Canto suspended" x soloists, chorus et Orkest (68) on texts from the letters of 'condemned to death of the European Resistance derivatives. Take dri (69), between the cave, "Journal Polish," "Intolerance 1960", "Remember what you did in Auschwitz." Cn "Fragmente, Stille an Diotima" x string quartet (1980), Tras' n el munno fantastic Nono the golden poetry of Hoelderlin. Texts by Massimo Cacciari (70), "Das atmende Klarsein" x stormenti (71) and live electronics. A musician of Vegnesia postrema creativity dl (72) - the route I dl + high art - de suta targeted to sedate forms of lyricism, of intimate self-absorption, by a pensive mood ona melanconiosità xcorsa: as compared de lu creaking scaffold of ideology, of a political, dl live myself. Tal interior tension ie (73) Objetkt (74) censorship by suta de 'sovravvissuti und isparsi gendarmes de aesthetics Marxist orthodoxy. But the Times svorta zi 'Rama (75) by unavoidable ederan omnes. ************************************************** ****************************************** NOTE - (1) "a , mil. (2) "the" Game. (3) "of" writer. Thurs. Eur. (4) "man", dan. (5) "i", sca. (6) "the", port, Lomb. et lig. (7) "Venice", T. Folengo (8) "place" (9) "of" Lomb. sec. XIII (10) lu "Italian Communist Party, born 'n Livorno Mon January 21 1921 x dl by Amadeo Bordiga and Antonio Gramsci, was dissolved on February 3 dl lu 1991 the Congress of the Bolognina, party secretary Achille Occhetto, Turin atque passionate Quaker vote naive as they are in Turin (11) "Venice", the Byzantine era (12) "ha", nl. (13) "artist", nl. (14) "rarely" (15) "ha" (16) "freedom", nl. (17) "with" v. Note 2 (18) and "the" berg. (19) "as" cal. (20) x Benedetto Croce was the only Italian philosopher of breath 'NTERNATIONAL k' el Novecento Aunt xvenuto a la clara formolazion d'ona rigorous philosophical theory of aesthetics. It fonno faith 'n chief and wise' written on the basis of four idealistic: "Aesthetics" of el 1902, "Breviary of aesthetics" of el 1903, "New Essays on aesthetics" et d'el 1920 "Poetry" d ' el 1936 (21) "theater", nap. (22) "however" (23) "diversity", Eng. (24) "appears" (25) "writer", Eng. (26) "the", Tosca. (27) "ha", sic. (28) "emotion", Eng. (29) "paralysis", Eng. (30) "silence" spag. (31) "Guardian", Eng. (32) "state", sic. (33) "entirely", engineer. (34) from the eighties et urtimi, soratuttum, it 'nineties, the vanguard fie et radical criticism rejected by the generations Giovene de 'composers, yet wary Eglin henceforth de ideology, determined to reformulate na et hinged on poetic expression rather ke on the experiment:' n nn cchiù of a relationship of mutual juxtaposition But avec el engaged users. As for the results out of the new poetic coziddetta "neo-romantic", x tutt'antro atque nos rosy discourse (35) "his" nap. (36) "conception", lat. (37) "elsewhere", spag. (38) "was" arc. (39) "music", nl. (40) "could", loins. sec. XIII (41) "involving" (42) "working class", nl. (43) "were", port. (44) et cuzì dl the rest of Marxist aesthetics' n vogue nor the Union Soviet suggested compuorre: conquider in the minds of the masses of workers, exploited by Hellene fuss lu capitalism, hegemonic 'n the West, or fussino initiated lu happy' nver de er the dictatorship of the proletariat, which s'andava profile or the USSR et it 'countries of Eastern Europe, Bulgaria, Poland, Hungary, Romania, et cetera ..., forced, as' the F sharp 'n tone alone, sucking from the' Soviet emunta sisa (45 ) "while" nap. (46) "he", Fris. et Afrika. (47) "there" (48) "when", see Note 3 (49) "became" (50) "would", mar. (51) "composer", nl. (52) "aroused", arc. (53) "slating" (54) "Milan", Bres. (55) "April", nap. (56) "month", Venice. ant. (57) "February", Venice. (58) "Women", mil. (59) "years," berg. (60) "where" (61) "attenuated" (62) "had", nl. (63) "art music", nl. (64) "under", mol. (65) "stars", nl. (66) "he", port. (67) "off" (68) "orchestra", nederl. (69) "behind", Romag. (70) birth 'n Venice in the year 1944, university professor, an eminent philosopher and east et aesthetology of international renown, whose dense doctrine to shine as, consequently, in his political parliamentary et, k little or nothing, since 'nvece them to his high school. Quanno it 'televised debates debating Messer Cacciari et qualsisìasi an Italian politician, it soon becomes clear is Cacciari et ki ki 's policy. You can tell 'n ke under de la culture sets them apart. But note ke nn is particularmente Cacciari is caught, is ke 's political qualsisìasi east particularmente ignorant (71) "tools", Tosca. sec. XIII (72) "Venice", pop. ant. (73) "is" bar. (74) "object", Ger. (75) "now", Trev.