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Beniamino Gigli

Beniamino Gigli (1890-1957) Almost k vaniti 'n el Seculo twentieth Summi's music, being k'ol (1) musical lenguaggio esti deventaa (2) anything of a trust cchiù et ungrateful mirror, (3) a la crisis de la civiltade of contemporary art, will be replaced s'edè fantasy, 'hearts, they r the predilections of the people, performer or a composer lu: elo conductor is - think ol to the myth of Herbert von Karajan, aut, before, of Arturo Toscanini - solo or instromentale - Benedetti Michelangeli, Arthur Rubinstein - or opera singer. Fra Cotesta urtimi a principal place Benjamin Lilies from Recanati busy. Lu which fur (4) from corcunu (5) sealed because "the level of el people," und the heat of the enthusiasm of Hugh Ojetti (6) Diffin "the eternal content, all of them yield the Elixir of content ", 'n el and caves, with mottos + aggarbati et frugal, it overshadowed the" canary in the bell tower of el Recanati ". A la fe, fop (7) Gigli or tenor par excellence et de l'Thirties Forties conziderato; figure trassinar and likely inflame the crowds of music lovers will of States and urope: more especially chille tudesche. U content k'assunse dans le monde musical boce rhetoric of the effigy of Italy, et ke, Lorka 'n el midst of' sensational triumph at the Metropolitan in New York In asking fue s'intendesse 'to U.S. citizenship CIAP (8), answered smeradho kon (9) thrill of pride: "I am Italian et them my feelings will never change his nn, although much gratitude ego feeding x el ke me populo U.S. Preci ( 10), oh yes, and love. " Boce prodigal 'n a mood' ngenuo atque 'n an natural instinct. Instromento voice, 'No time left; el transparent' nchino sweetness to ac calimma (11) of accents: el charm of copious nature conceded to reality tenor, x et pretentious self-centralizing. Save lu Marche singer molested by the star-like turning back unto + poses. And radially (12) caring for a dative + (13), atque only (14) religious: a devout patre Pio x el compuose and what 'verse "O great High God', 'n MUSEC I put Manlio green. Gigli nn assumea behavior for aristocrats, nn we left (15) 'n el Olimpo its glittering as other colleagues cry. In the dense crowds of 'me delirious fans' (16) loved him mustrar xsona affable, happy in his hand:' n lu same wavelength with the previous myth estrutto attuorno of Enrico Caruso - a color ke oftentimes the apostrofavan "Caruso II "Gigli objected:" I would like to be the known as I Gigli "- in contrast to Lu et baroque subsequent myth of Mario Del Monaco. Truth is Benjamin Facettes ke na villa sixty twenty-eight rooms ac salles de bain build, the huge corn guadambi using substances, yet large sums x pro und hospitals orphanages. Solea allicurdà (17) years of hardship the pristine et desasi (18), et ìvasene proud: "I'm glad to have sum hunger, cold, grim (19) suffered. Suta east sol ke choir 'to show us m'abbi cognoscendi 'to life, and, this Above all, ig (20) Omen ". Gigli finds himself on the boce ada nn so far as I can do the grace nor the y accuorto abandonment to the pathos pampering overseas (21). The figure chilla ke + lyric on the Dramatica ae 'Maineri (22) pointed to and the et mark model of a very vocal afetto (23), whose ancestor (24)' when referring NTES, in vain, 'ntiere generations of tenors. Nn faculties of gathering up the spelling, lathes deffinire y 'n the model Ravissant features vocal de 'xsonaggi' NTERPRETATION, cu (25) nu subtle tonal gradations and refractions of iuoco et grooves of phrasing, it is qualitative, it should be questionable, the remarkable de + interpreter, 'nseme to the exact' ntonazion, emission at the tip of the notes from the severe acute lu register to glaze them in the abundant palette et de le mezzeboci. A lu Gigli singing notes escìan clear, Guaso scanned fuss: I took (26) par ke - ke xduto neglected hip '+ commendable and acclaimed tenors nowadays' n career. Narrative biographies of Benjamin ke lu patre radially active Calzolaro und er bell-ringer of the Cathedral of Recanati. Nn navigavasi or gold, 'n Quilla fameia, avec drie (27) females ac vier (28) in males the sgheusia (29) tear out. A Blue, vegnente ghiora (30), nn + badàvasi much, if nn quann'edera reasonable (31) el beating 'n x asked to sing' n choir during religious ceremonies. Benjamin yes occhèi ke sang in the local seven-fop Schola Cantorum admitted. At 17 years of age it, the mouth, however, "soprano" allowed the u début in Macedonia: 'n womanly clothes:' No work of this Billi Alessandro. Nn despite the opposition of 'relatives, one year appriesso Benjamin departed Rome at the time: to attend regularly during the nu Istud: co' lu sacrifice paid for a miserable straddle him. A pristine, large sodisfazion, k'edera 'lu nseme result of an unremitting APPLICATIONS, there was' n el llujjo d'el 1914: took part avec nu hundred candidates to contest the 'x NTERNATIONAL singers from the Conservatory of Parma promoted the vicque et (32). Priate (33) comme n'iperbore (34), er president of the jury wrote down a berth lu judice: "A to the end, nu AEMO the tenor." Historian début in Rovigo that cum "Gioconda" by Ponchielli, intended to doventar between 1 and 'cavalry battle of el Recanati singer, ol which has been from the maestro Tullio Serafin k'il propuose captured at the Teatro Carlo Felice " x Genua 1914-1915 opera season. Ben soon revelation fes (35) 's tour de' theaters May ausonia atque, 'n el 1918, we opened up the doors of the "Scala" Melano. For the Introducere fue Toscanini Li ke 26 of descemmre he went 'n el "Mefistofele" d'Arrigo Boito. The outcome trionfente dede (36) in the Giovene 's passport + x them authoritative triati opera d'el mundo: a steady crescendo of scripture, success, fame and accompanied Schei. And I know the (37) beheld (38) Facettes mad. A er the crepagion of Caruso, it the year of grace 1921, the Metropolitan in New York lu x hired him eleven consecutive seasons: co 'cachet staggering. Fop et d'el propio necesidad the American theater to deduct from the fees - the ivy 'singer paid megio' n absolute - because of the bitter economic crisis the country traversed by the Stars & Stripes, ke Gigli led him to put an 'n abandonment chiddu stage: nn, however, to discontinue the tours they will most welcome the States, paid with caves criteria (gajardelli toujours, de toute façon, sti criteria). El répertoire deeds I had twenty-eight musicians. Beloved, as obvious, chill bel canto by Donizetti, Bellini and Massenet, Verdi and Puccini sed pure, in addition to "Cavalleria Rusticana," "Pagliacci," "Andrea Chenier" and "La Wally" in Alfredo Catalani El Tosco, the Lorka mouth, 'n de el will flow the years, turned a + Dramatic inflections, et + feo darkening it to (39) try (40). The completion ave carrière avec American tour na 'n el 1955: The last performance in Washington that 20 of them iuorni maium. In Rome, dui years afterwards, 30 of them iuorni noviembre (41), the end of all things as a result of a deadly form of pneumonia. Tàcciasi 'n I get sporadic et HOLDINGS illepide a tearful films (42): dubious junctures (43) x assaje vague masses of scouts (44) ac "see" the Voxia (45) und beam content of el popular' n Paggino usual opera en (46) in vilesche canzune (47) melodramaticheggianti. ************************************************** **************************************** NOTE - (1) "The 'berg. (2) "became" mil. (3) "mirror" (4) "was" Piem. (5) "someone", sic. (6) nor the Ojetti nascette Urbe, will the year 1871, and, in Florence, went to the most was the year 1946. Fue lively and skillful atque newspapers, paid 'n different fields: from the piece of art criticism el color ke na amuse the time were usually sent to special (7) "was" Romag. (8) "take," Piem. (9) "beautiful", sec. XIII (10) "appreciates" ant. (11) "heat", nap. (12) "was", patav. ant. (13) from lat. "Casus dativus," or is "giving". East is a very important case of the declinazion, k notoriously includes name, genitive, dative, accusative, vocative, ablative. EXAMPLE "dative", "Lue gives me - nun believed to be stuff - 'na loaf co' 'a mortazza. Chissu "on me" (ke et rooting almost swallowed hungrily, tant'edè excited, the glorious pork products home Bolognese), esti magnificent dative (14) "sincerely" (15) "isolate himself" (16) "better" , ant. (17) "remember" nap. (18) "inconvenience", sec. XIII (19) "misery" (20) "the" dial. (21) celebrated el so "hiccups", which took advantage of inquando (22) "style" (23) "effect" (24) "have" (25) "with", Sardinian (26) "honor" (27 ) "three", nl. (28) "four", nl. (29) "Hunger" Piem. (30) "Glory" (31) "should", A. Fiorenzuola (32) "won" (33) "happy", nap. (34) the Hyperborean, mythical people dear to Apollo, k and the Greeks nor the allotted lands of extreme chiste Munnar Guaso Eskimos fuss. Maybe Only because the chill of the ice ice Huns pathos co 'et associated outbuildings, the Hyperborean ederan kept very happy Zenti x, k + nn pol (35) "made" (36) "gave" the course (37) "his "During (38)" life ", Tosca. (39) "the", loins. (40) "color", nap. (41) "November", spag. (42) "Do not forget me" d'el 1934, "Ave Maria" of el 1936, "Mother" of el 1941 (43) "opportunities" (44) "listen", mil. (45) "voice" ant. January (46) "and" nl. (47) "songs", Puglia.

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Luigi Nono (1924-1990) Luigi Nono, ona or both (1) significant between imago na (2) + controversissima Itala MUSEC issue de la de la secunda half dl (3) twentieth saecula: saecula poor as Job genes to ac ESTABLISHED masterpieces. From singing in the thinner in width dl mand (4), the intellectual de la Kultur, a singular talent lu dl MUSEC, zi (5) posters misunderstanding which is based suntu aesthetics, to (6) poetic musical ac prattica dl master Vegnesa (7): ponato (8) to center dra lu (9) life atque de music controversy dl time to know the hegemony of Marxist work ona culture matrix. Already exponent dl PCI (10) Veneto (11), Luigi Nono heeft (12) the emblematic Kunsten (13) configured engagé, organic nu ideological system in which 'n manera aware, aut arraro + (14) Products (15) acts of' immediate and naive affection haves (16) und a sacredness in vrijheid (17) de 'de l'art-related content. Nu fulfilling process' nverso to chill just hope the "disinterested" aesthetic reality dra, ol (18) musician have, 'n dens terms, reduced to absolute transcendence immanence poetry dra de' worldly phenomena so as to reaffirm ona thesis "political" or both "prattica", id est anesthetic: cumulative (19) would notice 'the Vegio Pescasseroli by Benedetto Croce (20). With similar goals ideological, in the campo de lu applied dramaturgy, moved s'edera triato mighty lu (21) epic by Bertolt Brecht. All time (22), a difference (23) between na und lenguistiche methodological default state seems to do (24) decisive mentreké lu writer (25) Marxist writer tudesco consistent cn ell '(26) the assumption of political emphasis and de la destinazion popular deed de l'art et employed ona flat writing a lexicon "low", although it the scope of a strict stylistic rigor, Nono avi (27) the emotion (28) 'from the masses catch NTES cn nu lenguaggio sound very aristocratic ac esoteric at times. Ona writing at all dedalea und abstract at a time narcissi calligraphic et at Fiat, in academic mannerism: write 'et ntellettualistica next to the paralysis (29) dl silencio (30) - paradimmatico the case of "I, fragment by Prometheus" - yet the shift to electronic techniques nl und lu tape. Er master custodian xe lu (31) par excellence status (32) of Chilla ivory tower 'n ke rinserravasi, his own free will,' the avant-garde composer 'round about the mid-twentieth century dl. Iddu xe lu de l'isperimentalismo tissue sample, the lieutenant de la musique tetragona dictatorship essercitata from the radical sixties und postweberniana it the Seventies: chill music at all alien to the sensibilities of lu y taste of the masses, paradoxically placed programmatically ac as subject to "capture" and seduction 'er of the aesthetic principles of "socialist realism" on the object to the cultivation of Nono sentìasi absolutely nn (33) foreign (34). Nl un'interview course, Nono specify in letters to soy clare (35) cogitatio (36) Marxist 'round about the art, et, in especial manner, to' the triato musician - he said to you from the "theater of consciousness" - what instromento political propaganda: "For me making music xsonalmente x 'ntervenire it contemporary life,' n the contemporary situation, nor the contemporary struggle of class, so a way to produce something x provocazion et discussion." Und en otra party (37): "The avant-garde music east that s' expresses, suggests ideas nine k 'nu can nteresse certain political movement, over' all 'the working world its technological und kon them problems crop. "But Iera (38) do not license ke the naive social engagement of Nono sank in front ona muziek ( 39) the ZUA, ke poeva (40) the least 'nvolvere (41) to arbeidersklasse (42), they taste of the music which bows eram (43) nn early as lexicons et structuralist syntax, postdodecafonici, et cetera, corn Plut ^ ot a flat tonal melodies, harmonies rotating on the tonic, dominant, subdominant, sensitive, und und cadences Xfetto agreements, et cetera (44). Atque 'ntramente (45) hy (46) compuoneva "Do not consume Marx," Ein Gespenst geth um in der Welt "sung ona jokes about the newcomers dl "Communist Manifesto" by Marx und Engels famously raised it the year of NS 1848. Et hy EXAMPLE went to "Factory enlightened d'el 1964: cola (47) 've Iera direct artistic goal to" make known to express et' l ke particular existential moment was in the interior of the Italsider of Genova, 'n lu specie conditioning ac harmfulness to which they subjected the workers were in the blast. " Truth is k'in appriesso, qnd (48) irrefutably diventette (49) of the inaction of the constatazion the masses by the masses chille MUSEC x, Nono legalization have (50) k '"u mass concert passed east to 4 nu xsone make public. " Ol theatrical license er componist (51) + ke Have enthusiasm apologetic y sensational controversy touched (52), shouts of triumph et quashed toxic (53), tissue ze "The great sun load of love ',' n mundial first represented at ol Opera House Milà (54) 4 of them abbrile (55) dl 1975, et la Scala taken mexo nl (56) of Febraro (57) DL 1978. Inspired to a line from Arthur Rimbaud wrote to Jeanne-Marie, whose "powerful hands are wonderfully pale sun of the great load of love by making the machine guns of bronze de l'arose Paris", y el devoted to Donna (58) revolutionary de the last cent'agn (59). Ona 'ntrapresa voted, while dessa, l'amour na exploited classes x, u' (60) the figure of rhetoric, if nn firefighting, x attemperata (61), where nn dissolved by lu savoir faire Baroque: Mon theatrical sense 'n possession overseas teacher. El Nono HAD (62) de toonkunst (63) Istud sotta (64) led by Gian Francesco Malipiero, with Bruno Maderna xfezionando in prepara el ac Dirigent Hermann Scherchen. He graduated 'n Law. In Back to the Fifties agn, Karlheinz Stockhausen cn BC istesso Maderna, est'ello 'ntra hoofdpersonen zi (65) de' famous "Ferienkurse", Darmstadt, primary centers of irradiazion dra "Neue Musik" - woe to lu musico ke partecipassevi! Fora banned from the fabric of the international symposium "MUSEC ke is" und "ke counts." Ele (66) remove (67) x Mojje 'to fijja to Arnold Schoenberg. Nl 1955 imposes cn "Canto suspended" x soloists, chorus et Orkest (68) on texts from the letters of 'condemned to death of the European Resistance derivatives. Take dri (69), between the cave, "Journal Polish," "Intolerance 1960", "Remember what you did in Auschwitz." Cn "Fragmente, Stille an Diotima" x string quartet (1980), Tras' n el munno fantastic Nono the golden poetry of Hoelderlin. Texts by Massimo Cacciari (70), "Das atmende Klarsein" x stormenti (71) and live electronics. A musician of Vegnesia postrema creativity dl (72) - the route I dl + high art - de suta targeted to sedate forms of lyricism, of intimate self-absorption, by a pensive mood ona melanconiosità xcorsa: as compared de lu creaking scaffold of ideology, of a political, dl live myself. Tal interior tension ie (73) Objetkt (74) censorship by suta de 'sovravvissuti und isparsi gendarmes de aesthetics Marxist orthodoxy. But the Times svorta zi 'Rama (75) by unavoidable ederan omnes. ************************************************** ****************************************** NOTE - (1) "a , mil. (2) "the" Game. (3) "of" writer. Thurs. Eur. (4) "man", dan. (5) "i", sca. (6) "the", port, Lomb. et lig. (7) "Venice", T. Folengo (8) "place" (9) "of" Lomb. sec. XIII (10) lu "Italian Communist Party, born 'n Livorno Mon January 21 1921 x dl by Amadeo Bordiga and Antonio Gramsci, was dissolved on February 3 dl lu 1991 the Congress of the Bolognina, party secretary Achille Occhetto, Turin atque passionate Quaker vote naive as they are in Turin (11) "Venice", the Byzantine era (12) "ha", nl. (13) "artist", nl. (14) "rarely" (15) "ha" (16) "freedom", nl. (17) "with" v. Note 2 (18) and "the" berg. (19) "as" cal. (20) x Benedetto Croce was the only Italian philosopher of breath 'NTERNATIONAL k' el Novecento Aunt xvenuto a la clara formolazion d'ona rigorous philosophical theory of aesthetics. It fonno faith 'n chief and wise' written on the basis of four idealistic: "Aesthetics" of el 1902, "Breviary of aesthetics" of el 1903, "New Essays on aesthetics" et d'el 1920 "Poetry" d ' el 1936 (21) "theater", nap. (22) "however" (23) "diversity", Eng. (24) "appears" (25) "writer", Eng. (26) "the", Tosca. (27) "ha", sic. (28) "emotion", Eng. (29) "paralysis", Eng. (30) "silence" spag. (31) "Guardian", Eng. (32) "state", sic. (33) "entirely", engineer. (34) from the eighties et urtimi, soratuttum, it 'nineties, the vanguard fie et radical criticism rejected by the generations Giovene de 'composers, yet wary Eglin henceforth de ideology, determined to reformulate na et hinged on poetic expression rather ke on the experiment:' n nn cchiù of a relationship of mutual juxtaposition But avec el engaged users. As for the results out of the new poetic coziddetta "neo-romantic", x tutt'antro atque nos rosy discourse (35) "his" nap. (36) "conception", lat. (37) "elsewhere", spag. (38) "was" arc. (39) "music", nl. (40) "could", loins. sec. XIII (41) "involving" (42) "working class", nl. (43) "were", port. (44) et cuzì dl the rest of Marxist aesthetics' n vogue nor the Union Soviet suggested compuorre: conquider in the minds of the masses of workers, exploited by Hellene fuss lu capitalism, hegemonic 'n the West, or fussino initiated lu happy' nver de er the dictatorship of the proletariat, which s'andava profile or the USSR et it 'countries of Eastern Europe, Bulgaria, Poland, Hungary, Romania, et cetera ..., forced, as' the F sharp 'n tone alone, sucking from the' Soviet emunta sisa (45 ) "while" nap. (46) "he", Fris. et Afrika. (47) "there" (48) "when", see Note 3 (49) "became" (50) "would", mar. (51) "composer", nl. (52) "aroused", arc. (53) "slating" (54) "Milan", Bres. (55) "April", nap. (56) "month", Venice. ant. (57) "February", Venice. (58) "Women", mil. (59) "years," berg. (60) "where" (61) "attenuated" (62) "had", nl. (63) "art music", nl. (64) "under", mol. (65) "stars", nl. (66) "he", port. (67) "off" (68) "orchestra", nederl. (69) "behind", Romag. (70) birth 'n Venice in the year 1944, university professor, an eminent philosopher and east et aesthetology of international renown, whose dense doctrine to shine as, consequently, in his political parliamentary et, k little or nothing, since 'nvece them to his high school. Quanno it 'televised debates debating Messer Cacciari et qualsisìasi an Italian politician, it soon becomes clear is Cacciari et ki ki 's policy. You can tell 'n ke under de la culture sets them apart. But note ke nn is particularmente Cacciari is caught, is ke 's political qualsisìasi east particularmente ignorant (71) "tools", Tosca. sec. XIII (72) "Venice", pop. ant. (73) "is" bar. (74) "object", Ger. (75) "now", Trev.