Stowaways in the movies? In life and in love? ... I always will be illegal to test myself, to question. Kim Ki Duk teaches us - or invite - to be wary of those who does not call to life through the painstaking rediscovery of himself. And if what is expressed, thanks also to the Korean director, apathetic to all forms of conformity, we can breathe a sigh of relief. Please note: Kim has arrived at the cinema after having spent five years as his country's army sergeant, for two "seminars" at a temple reserved for the blind (he is blind) to two other art students and penniless artist in Paris. Please do not call it living by the theory literary, but life experience gained from training sublimated away from the circles of knowledge in themselves. What a bore! Sorry, no hypocrisy, life is fuori.E 'on the roads. E 'experiences in the wind. E 'in being able to say to his son: " Never let anyone tell you that you can not do something. If you have a dream you must protect it. When people can not do something they tell you that you do not. If you want something, go and inseguila.Punto . If Kim is a self-taught in life, it is in cinema. I fill my silence (and notebooks) and its frame. I look at the cardinal points of the geometric constructions of his imperfect shadows that match and measured by the palm of the symmetries themselves. How are light shades, while the balance is the jackal implacable weight of bodies. You'll notice the constant presence of water in his films, and for those who in life is composed of 95% water and 5% from the clouds. E 'for those millions of years as the oceans and digs deep into the acceptance (in others)? What about the music with arabesque accents? Or those houseboats suspended in nothing ... For me it's all a lesson ...
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