"Les Dialogues des Carmelites" by Poulenc It you x (1) an old-fashioned to chill deeds chierono ke (2) ell'assenso: nn el already beat mane. Opra shadowy, flickering, k from s (3) lossura (4) of the flaming Noons escapes, like corn on (5) glow occiduo k'un mélancolie en automne exhale. Alma ke subdued nor should know of siege strigner et adunghiar life, one thousand corn avec aggarbatezze come forward to the question, if craintive de tromper (6): in exagérer; ready to kick back in your lu solipsism him refuge tacit 'n the forces of the ego: the' ve only the data sunnu (7) et warmth of course, and none of the heavy cchiù MENAZZA mundo: cchiù from which none iniquity, contumely aut. Xe ke n'opra to Secure (8) holds in the fertile tonitruanze melodramatiche vile, aims to épater ke les bourgeois, or in satisfaction to 'er gajiardi vulgar appetites of music lovers: Bramante, you sapi, sinking them fingers it the Juno concupiscibil pulp and singing; But recollect, avec la delicatura (9) of parks attractiveness et blandishments of myths, a national Quaker (10) subtle musical curiosity atque culture: if you ever sea (11). CCA is called "Les Dialogues des Carmelites" deed en trois acts, and dodeca paintings, over a text by Georges Bernanos, finished compuorre by Francis Poulenc (12) As the year 1956 p. No Ch Singles ir (13) made k'edera Poulenc, et x temperament cultural, musicien to the reluctance of frail er inclined core point: to them the sudden redness of the womanish castimonia: remote paths + ke never be a subject of religious figure und ascetic ke onninamente s'incardina, as chiddu of Bernanos, upon check-ups lu et ell'introspezion over which eni (14) mash (15) 1 riguardosissimo psychological universe. Pro Vereto, radially Poulenc (16) nu gay charmer of immanence, a musician of esquisitezze mundane; artist slight, hilarious ac chic Parisian Aeros et ironic, el which, à peu près six ans auparavant "Les Dialogues," ventured s 'ivy' n teatral a matter of substance any different, "Les Mamelles de Tiresias", avec end of the comic poet Guillaume Apollinaire derivative: poet charmer, x 'ntenditori, birth, fortune x' n Rome mapper Frenchman 'nzino' n er marrow: in the antipodes of Bernanos. Libretto by Georges Bernanos esti assessed by virtue of a higher than the corresponding musique Poulenc. Ké one follows avec The motto prefixed ir order to define the outline pays et d'el carmelo und absorbed existence, knows empathy k'un 'n nn only a single breath dolzure (17) de la vocation et de divine aspettazion the women religious, yet corn el their swell (18) x er transition, the humani ke + their horror in front of 'insults et de' feri ke the disfrenatezze accidents de la Révolution Française de pressed to the door on an enclosure. The pen sophisticaded Bernanos Highlight na tiny coterie of figures 'n glimmer of pathos which harmoniously ascend from the anxiety in the ocean of ecstasy, from the little girl gladness trascoloran nun lu spasm of the' ngoscia from the cuietanza (19 ) not pursuing the lu mundo de la tetragona accettazion er of torture. Et, comme d'boci a counterpoint, and 'slow wave dialogues k'intreccian faghn the Carmelites (20) de l'istesse Sisters (21) wilt drapery opera ensembles, wants cameos of individual atque xsonaggi clearly identified: the verbigrazia prioress, Sister Bianca, I know brother, matre Maria, sisters Constance. Au contraire, nos, forgetting the lezzioni lenguistiche Massenet, Fauré et Debussy, et at times perhaps even Puccini, la musique Poulenc's transparent robe which presents itself sound far from k 'ncigne (22) nn But tempers himself or herself or transformed 'n life sound really knows dramaturgy of the story. Although convenient, eni na MUSEC vague, "eccentric", echoing; How about the Guaso diaphanous backdrop to spend on emotional de '"Dialogues" stranger to the peculiarities of the accidents ac de' siento Quill realtade art. But note on compositeur français d'el artifact itself (23) fine assaje, suggestive of a refinement: na tonal writing k 'al'ascolto persuasive resonates:' n the finiteness of the slight et instromentazion elusiveness, he suspended the wide melodiousness 'n arcanicità y aura between fragrance, nor the voice of a task ke Prenn declaimed airy. Une musique ke, 'n el de la top twentieth-century music mayhem, with each and every abhors cerebral avant-garde, from the Huns kakofoniko muddle: how the pallente madame, from 'Mpreveduto spot Moreover, it basically long y (24) vesta janca' ncede x away from the sordid filth of ac attuorno unaware. C'est musique ke assumed has specific responsabilités: s'aliena from 'protagonists el drama, aut, x acussì dicere, et peaks will plane them the abyss: and their diagrams of spirits (25). Nn x + propitious moments when they de l'invention poulenchiana riscòntransi 'n the few scenes of concrete factual et social' mpregnate in firmness 'mprontate such dynamism und al'immediatezza de ir' phenomenal data: Exemplar grace, emotion and speech; (26) from White et ir a la her brother against deliberazion religious' n el Primiero act og (27) in el SECUNDO; up overshadowing ac coral (28) de lu martyrdom of the Carmelites Poulenc al'opra de conchiuder. ************************************************** *********************************** NOTE - (1) "is", Fri. (2) "seek", arc. (3) "the" Sardinian (4) "lust" flowers. sec. XIII (5) "the", Sardinia (6) "afraid to make mistakes," fr. (7) "are" cal. (8) "for sure", Provence. sec. XIII (9) "delicacy" (10) "some", Roma. (11) "and" sec. XIII (12), musicien Cozi scrivette of himself: "I sum dans le coeur de Paris birth, apo la Madeleine. Mon père d'Espalion native ivy, I l'Aveyron, Paris et ma mere ivy pure blood from CCA mea double inheritance. patre part de lu meo, er mountain of religious faith, the taste x Roman art, by the passion x matre mea de Paris, there's coffee-concert, les quartiers Popular, bals, musettes, lu show de 'markets, et cetera Na .... vote, a critical dicette ke sunt in me et Monaco a time an Arab nomadic c'est exactly this character lu meo. " Lue from the beloved composer Mozart ivy, corn actually the inspiration his Heron et Debussy Ravel, Chabrier et Satie: send Stravinsky u know spiritual patre, et l 'instinct' ZUA the guide. And among the poets Apollinaire and Paul Eluard adored (13) "the" Piem. (14) "is" (15) "moved", part. pas. el of the verb to move (16) "was", ant. patav. (17) "sweet" arc. (18) "anxiety" (19) "calm", nap. (20) "make", par. (21) "Sisters" (22) "around" (23) "is", dial. (24) "fundamental" Pekka to judicii Wolfgang Goethe, the "white" color of the east central (25) "spiritual" (26) "agitated", latin. (27) "e", Norvir. (28) "representation"
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