THE HARD MUSIC CRITIC OF SOLITUDE "Vae soli" (1), and "k Nn making this the good the man should be alone" (2), and "Tristis eris is solus eris" (3), and "A man sèmpiri is lonely 'n bad company "(4), et cetera ... All right, nn la solitude est toujours consecrated (5) grateful: au contraire, x tantiduni itself (6) 'nsofferìbil istato.But well ell'esti conditio a sine qua ke nn resùltino reliable figure of moral et la prattica professional musician Kritiker u (7). X lu solitude which the goddess (8) 'No sense' NTES them, or what is renunziazione lu relation to the social actors kon de lu mundu which ig (9) seju interest (10) und aesthetic culture volgesi. Dè (11) 's Kritiker they onnino (12) works from which you want to sort of do the act of weighing Conditionnement und u giudezi formula (13) value, k Scion pretenne sine ira ac studio: o be dispassionate. But real conse eziandio k'e x 'nn pol essercitar with chienezza (14) such vrijheid (15) where the Facultad soa (16) Critique subject aunt - et nn nn be described in words, is good 'n maggnera (17)' nconsapèvol - reports to them amistad (18), aut of mere cognoscenti, with the composers, conductors, instromentisti, singers, 'mpresari, managers verrizzuso to chill (19) et estraordinario Musica Mundi et theatrical 'n k and performing the office just come, ke nn' l propio tiempo. Apparently, verbigrazia, bastanza natural thing to utter: "You and I as Castor et Pollux simulated amigo, et Damon Pythias, Nisus et Euryalus, et Orestes Pylades, Ulysses et Mentor, ac quant'antri .... Mais stàttene accuorto, et Clari terms, k is Diman sonerai evening, sing aut, aut establish, for an Emperor by scumbinato aut, aut by peracottaro, ll'usitata meja (20) No equity power, or will, be silent on. "It bbene, occhèi, it will map this day our daily Prattico, despite nn 'r lu megghiu propos de Munno, dicto link' nfluenzerà inevitable - 'n varying degrees: it depends on contingencies et xsone - La Serena und de nuchterheid (21) de lu judgment (22). Meanwhile ke 'the musician musicien Kritiker k'ascolterà und iudicherà lu lue way to forest, you will cum keto posting it' respects of syphilis, aut cum chilla benevolent nonchalance mejo k ' unquemai and 'capable of FIA essercitar it' respect for el cognoscenti. The k'edi is very difficult, if impossible nn properly, a - nn bingo (23) in a sort of estrangement ac doubling of the de xsonalità, attend xsone, constrains the MA (24) the co sonrisa (25) 'n on the lips, ircII at table, inquire about the kind Moger stories, news on the figliuolerìa, chattering of diversions (26) y politicume, holds forth the poetic ventures engaged (27) them on their rivals - 'n sum, to establish relationship of complicity nu (as of today costùmasi wax) - and besides, it' will Jorna (28) nor the ure aut ( 29) appriesso, capsize gallenaro lu (30) discusses them in their performances. The two contrary cases: the amistad aut (aut cognoscenti) und will crack if scasserà forever; aut chiddu selfsame report, mangy xsistendo, take unequivocal connotations Tolheit of (31): comme if 'the critic and criticized el inhabitants of a planet cave fùssino: other than' two contrary 'DENTIFICATION ke frequèntansi atque travaglian nor the stinking recognition (32) valley of tears. Tertium nn datur. A Kritiker it fits the music, things stand, part facere x itself: malgre-lui. Migghj (33) yet which can be inaccessible if he Fusse Monego (34) Tibetan 'n bowl stuck in the snow-covered mountain, which quietly Trappist xduta Vocca, and besides yet sphinx, scurbùteco, Falotico, und misanthrope, when asked of' the case , lu a misogynist - pro tempore: 'the time of a cantata sive sonata. X other, the severity of the sentence und transparency Critique 'n el de public 'readers' nu nfondono pucurillo engaged ver' chiste class conclusion. Ké already esti x itself "dirty job, critics, et malveduto as that of el Executioner", Giovanni Papini accumme à grotesquely observed (35). ************************************************** ************************************** NOTE - (1) "Woe to the east just ki "Ecclesiastes, 4, 10 (2) Genesis, 2, 18 (3)" Will you be sad if you're alone, "Ovid," Remedia amoris, 583 (4) Valéry, "The idea fixed "(5)" thing ", Fri. (6)" is "(7)" critical ", Ger. (8)" must "(9)" the ", Tosca. (10)" his ", Laz. (11) "must" (12) "absolutely," sec. XV (13) "Judgement", Bol. (13) "must" (14) "fullness", nap. (15) "freedom", nl. ( 16) "his", par (17). "Magner", Roma (18). "friendship", string (19). "capricious", nap. (20) "my", val. (21) "l ' objectivity, nl (22). "Feedback" T. Tasso (23) "fall", A. Firebaugh (24) "hand", dial (25). "smile", spag. (26) the Italian term east was hired by the English lengua ke n'à bowl "sports", ke Italy took on themselves, thinking, in comparison lu, insulsetto the original. Since variation of + el ke like theme. Even Goethe had ruled: "Nur Neuigkeiten ziehn uns an," or is "only what pleases k'est novo" ("Faust" I, 4113) (27) "confidence" (28) "days", sic. (29) "hours" mantle. (30) "madness," Ger. (31) "thumb", nap. (32) "our" ant. Puglia. (33) "better", sic. (34) "Monaco", loins. sec. XIII (35) pointed the Florentine writer wrote in the year 1932 a tasty Domains volume entitled "slating, 1904-1931," by arraccumannà yet today those who intend Gioveni, et risico at their peril, to start mestieraccio lu said: opifizio mottos of rooms, et et ricettaculo of unknown insults curses. Ké year too many authors I spit 'venom against them secula atro et criticize the critics: by Samuel Taylor Coleridge ("They are critical k'avrebbero people wanted to be poets, historians, biographers, etc. ... if they could, made the experience! Year of the fancy their aut neither one nor the other be successful without happy: xciò they were engaged criticism "), to Gustave Flaubert (" It is critical when you nn art, the way istessa ke nn is a spy when you surdato lu "), et cetera ....
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