WA MOZART The Music of Mozart Musurgia The imago (1) este profonnamente 'n sa (2) civiltade uropean de 'Enlightenment roots. Mais sa MUSEC soa (3) transcends them frail soi et sa historia space-time bins, x itself raise as a "unique" of the creative spirit of the civiltade occidental. Sa xe inscribed light ZUA quiet, powerful und eternal, nor the oneverzo (4): I know that esti und el 'nver et rose to join the range with the growth of every human being. Along doi Seculo, knows Musik (5) er of Salzburg itself (6) suta every hour, 'n other Mensura (7) of intensity at the events' nteriori de l'homo companion looking for quality portrait of an aspiration to et na to form a perfect harmony of prefects (8), looking for quality content is an expression of conscience, as x cable (9), and tumultuous inquando of desperate, a triumphant plenitude of self led. Musik ke configurasi what kind of collustrabile (10) und superb Leibnizian monad (11) answered 'n life ac vibrations of sound; know lenguaggio' n the eternal utopia and inevitably answer 'n el phenomenal Munno. Johann Sebastian Bach ava 'n baroque glorified the divine figure, which included intr'el avia y lavishly dissolved the human. Ludwig van Beethoven Cum reverse the process later on he would have exalted the romantic epiphany of the human s'adderezza ke na nature re-created to forge propane sameness: 'n sublime nominated co' the Absolute. Souto (12) lu profile historian, the art of Mozart is the third und diffinizione postrema (13) - appriesso chille de Humanism greek Itala et de sa Renaissance - of a poem k'adempiuta boce dae to the yearning of a ritruovata communion 'n between man will et nature or which is at the quetudine, a la paciositade to glimlach lu (14) of a primal numinous: S'Ardia dicere "Eden". Moreover, unlike the nn et suerte (15) ke-stroke, albeit at different times, each and every kind of artistic expression, er lenguaggio musical de la civiltade Western educated, obtained from the peak lu ineffable eudaimonia (16) und l 'Elysian musura (17) Mozart represented s'avvierà already' n about the threat of dawn el siglo (18) diesem (19) ninth, to a gradual und uncontrollably identity crisis of the form, to a diversification d'el "feeling" and spelling of el lenguistico fabric - enough to heed the Dramatica und tormenting creativity of the "Romantic" - translate ke et indicate 'the malestar (20) et de eenzaamheid (21) pillars of the modern man and of the artist : het opstand (22) Promethean before, er troubled retreat afterwards to the unheard their disharmony. Crisis ke + s'accentuerà it via the struggling music production el twentieth century, Addo postulate Fira (23), 'n parallel to the nonpossa (24) of what has to be an organic vision of Aestethik el mundo deduced, the 'tout-court exhaustion of el canon of ideal el Bello. The art music of the twentieth el siglo, 'n sur point to close' the circle, edi (25) to Cozzi et them to 'zagajamenti (26) returned: edi them to shreds and raw sa dark 'ncomunicabilità de' early-session. And the agony of self-represented ae: between the noise 'aut ntolleranza the task' gnurantità (27) of the people (28) art de co ke dilèttansi 'sounds (29) to communicate. Nowadays' boyfriend enjoys the divine favor of a custom er apo pubbrico de lu Munn, sibbene the generation of apo 'and contemporary composers tardonovecenteschi nn exceeds' the limit a general statement of the museum ac Admiration. The Mozart resonates Josca Muzik (30) since y musique sacral mystery: na de vanguardia spices in the opposite direction, to the shores of a mysterious past time, recollection et ke man will sing the full integrated und 'n irremeabile a "Weltgeist" comme Dichen the tudeschi "the spirit of el Monaghan. Musique transcendental performed from outside it by the apparent de simplicitas writing, from very harsh Caperea cu (31) elementary divine intellect corn avec them meaning: nn differently from where the lofty scorched nuautri (32) Auto aspiriam guard as the flower the rosada (33) sucks. It happened to the reduction in the de Nossa civiltade a fenced field purely mathematical, scientific laboratory 've homo scìndonsi crusher as the individual parts to the whole, and her will be dissecting the unrelated et ineloquente their fragmentary nature, it' s indifference x ell'unitade et el spelling well lost, the portrait of genius from Salzburg recollect discrete und er balsamic to the melancholy d'el shipwreck: caress the vagueness of 'painful (34): medical sores de' recesses: what flatters trasognari of emaciated remains. Havva ke nn Dubbianza the sidereal and the subtlety of the art abysmal dolcore ZUA nn s'acconcian a plebeian consumption. De muziek (35) Mozart unquemai to work in the manner of Verdi aut chella plebiscite of Beethoven: the ZUA universalitade nn confàcesi excited to the brigades, will nn lu precium (36) of gross misunderstanding (37). Nn miss, 'n el clear sign of a secular and sacred, it' the ways of the register x + esquís and melodious, suffused with irony alata, which connects elle plot 'nvisibile und avolgente, and met with the thick atqu'isparse requests bianchitudo (38), a tenacious ethics und residual religio k'albergano, reviled, nor the current hora et inherent in the breath of ransom, "ricompuosizione" Huns k'agita hombre (39), it 'meanders both tacit (40) pudicitia. Taliduno dise (41) Mozart lu mannu Prus (42) musicus (43) all of them tiempo. Other diciunu (44) Ludwig van Beethoven. Johann Sebastian Bach is still no other .... But Rason ki (45) Tène (46 )?.... Well, all of them, as happens ke ab origine et toujours de l'intention of x changes Universe Machine Oman (47) all c'abbino (48) Rason: inaniter (49). ************************************************** ************************************** NOTE - (1) "composer" (2) "the" Sardinian (3) "his", par. (4) "universe", nap. (5) "music", Ger. (6) "is" (7) "measure" (8) "perfect" (9) "deep" (10) "beautiful" (11) from the greek "monas" k means "unity." The monad postulated by the "monadology" (1714) of your great philosopher und lipsiense mathematician Gottfried Wilhelm von Leibniz x simple entity, an atom, aut substance, immaterial constituent, together with the altr'infinite monads, the universe everything. Primera east monad God, hence the antre descend. Nevertheless antre nn know which one o'clock nisba de l'antra: live and act in total isolation, sippuro will touch on: since the unremitting stream of 'pedestrians along Fifth Avenue in New York ke never say goodbye: a needless slightest smile, a nod el head, a raise of the eyebrows, a fictitious scappellarsi: you go, each x itself, true Leibnizian monads , to 'propi cases: in the commune unattainable happiness questionable, longed, as if they lived' n el "megliore de 'Mundo possible": according to the head of credèasi lipsiense ovo (12) "under" ant. Trev. (13) "definition", sec. XVI (14) "smile", nl. (15) "fate", spag. (16) "happiness" (17) "measure", sic. (18) "century", spag. (19) "" tenth ", ant. Fri (20)" malaise ", string (21)." Loneliness " nl. (22) Rebellion ", nl. (23)" will ", arc. (24)" imposibilità "(25)" is ", cal (26)." Stuttering "(27)" ignorance ", nap. (28 ) "nations," G. d'Arezzo (29) in schematissima et paradoxically way: the shape of the western MUSEC, double a slow, constant et secular path of asceticism, follows the perfeccione 'n el eighteenth century, avec Mozart; and from there throughout the nineteenth century principles to be corrupted; atque disgregasi and annihilates' n el twentieth century. k'anco it goes without saying the seasons silver, or of involution, dònnosi genes equivalent to those of the golden age it: verbigrazia da Palestrina Monteverdi to Beethoven und und Wagner (30) "today", Puglia. (31) "with" ongoing (32) "we", sic. (33) "dew" (34) "regrets" (35) "music", nl. (36) "price" (37) André Gide noted ke Mozart este lu which the music + o Nosso time c'ae away. Favella sempiri half-mouth, 'n el and' the audience hears only cries now "( 38) "whiteness" (39) "man", spag. (40) "her, cas. (41)" says ", Fri. (42)" major ", Sardinian (43)" musician ", lat. (44)" say "cal. (45)" reason " , sec. XIV (46) "ha", mol. (47) "men", Romag. (48) "have", Roma. (49) "unnecessarily", lat.
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